Camilla López espera elevarse por encima de su posición casándose con un estadounidense adinerado. Eso se complica al conocer a Arturo Bandini, un italiano con la esperanza de conseguir una ... Leer todoCamilla López espera elevarse por encima de su posición casándose con un estadounidense adinerado. Eso se complica al conocer a Arturo Bandini, un italiano con la esperanza de conseguir una carrera como escritor y una rubia de ojos azules.Camilla López espera elevarse por encima de su posición casándose con un estadounidense adinerado. Eso se complica al conocer a Arturo Bandini, un italiano con la esperanza de conseguir una carrera como escritor y una rubia de ojos azules.
- Premios
- 1 nominación en total
- Filipino Houseboy
- (as Dion Basco)
- Japanese Vegetable Man
- (as Yoshimura Yasuhiro)
- Worker
- (sin acreditar)
Argumento
¿Sabías que...?
- CuriosidadesWriter/director Robert Towne finished the script in the early 1990s but couldn't find financial backing. Even with Johnny Depp interested in the project, the script bounced around from studio to studio.
- Citas
[last lines]
Arturo Bandini: When I was a kid, back in Colorado, it was Smith, Parker and Jones who hurt me with their hideous names. Who called me wop and dago and greaser, and their children hurt me. Just as I hurt you. They hurt me so much, I could never become one of them. Drove me to books, drove me within myself. Drove me to run away from that town in Colorado, into your home and into your life. And sometimes, when I see their faces out here, the same faces, the same sad, hard mouths from my hometown. I'm glad they're here fulfilling the emptiness of their lives and dying in the sun. And they hate me, and my father and my father's father. But they are old and I am young and full of hope. And love for my country and my times.
[breaking down]
Arturo Bandini: And Camilla, when I said "greaser" to you, it was not my heart that spoke, but the quivering of an old wound. And I am ashamed of the terrible thing I have done.
- Créditos adicionalesOpening credits are shown on the pages of the book Ask the Dust, as someone flips through the first few pages.
- ConexionesFeatures Música y mujeres (1934)
Then the audience was treated to a special preview screening of "Ask the Dust." It would seem that this has been a labour of love for Mr. Towne; one that has been several decades in the making. So in that sense, perhaps this film doesn't merit harsh criticism. The fact that Towne got it made is to be commended.
It's not a bad film, by any right. It boasts two decent performances from its leads Salma Hayek and Colin Farrell, lush cinematography, meticulous period detail and a sumptuous score. All the elements of a great film are there. However, nothing really gels.
My guess is that the source material is the film's ultimate downfall. It's dated, and contradictory. What begins as a pulpy potboiler in the vein of "The Postman Rings Twice" becomes a politically correct tirade against intolerance. Oh, and there's a healthy dose of "La Boheme" thrown in there for good measure.
The first half of the film is intriguing as the characters' motivations are enigmatic and unpredictable. Hayek comes across as a latina femme fatale, while Farrell plays the flawed noirish anti-hero. L.A. itself is a character - one of a city at odds with its surroundings. The description of the sand (or dust) from the desert filling the air is particularly poignant.
Halfway through, the film takes a perplexing turn. Turns out there is no mystery behind the motives of the leads. They just wanted to be loved/understood. Cue Hollywood clichés, and end scene. You can't help but be disappointed.
Perhaps in the hands of a '70s auteur director like Polanski, Antonioni or Bob Rafelson, the source material could have been tweaked or restructured to yield a more surprising and challenging film. I even wondered what the film would have been like with a 70s screen icon like Jack Nicholson or Al Pacino in the lead role.
- SammyK
- 16 feb 2006
- Enlace permanente
Selecciones populares
- How long is Ask the Dust?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- Países de origen
- Sitios oficiales
- Idiomas
- Títulos en diferentes países
- Pregunta-ho al vent
- Localizaciones del rodaje
- Empresas productoras
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Recaudación en Estados Unidos y Canadá
- 743.847 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 68.779 US$
- 12 mar 2006
- Recaudación en todo el mundo
- 2.460.057 US$
- Duración1 hora 57 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1