Tras de estar cautivo en una cueva afgana, el multimillonario ingeniero Tony Stark crea una armadura única para luchar contra el mal.Tras de estar cautivo en una cueva afgana, el multimillonario ingeniero Tony Stark crea una armadura única para luchar contra el mal.Tras de estar cautivo en una cueva afgana, el multimillonario ingeniero Tony Stark crea una armadura única para luchar contra el mal.
- Nominado para 2 premios Óscar
- 24 premios y 73 nominaciones en total
- Jarvis
- (voz)
- Guard
- (as Daston Kalili)
Which A-List Actors Were Almost in 'Iron Man'?
Which A-List Actors Were Almost in 'Iron Man'?
Argumento
¿Sabías que...?
- Curiosidades"I am Iron Man" was ad-libbed by Robert Downey Jr.. Producer Kevin Feige approved using it in the final cut of the film, and credits this with his decision to largely do away with secret identities in the Marvel Cinematic Universe. Only Spider-Man conceals his identity, while Thor's alter ego, Donald Blake, is similarly not used.
- Pifias(at around 2 mins) Though it makes for a good kidnapping, in reality, US soldiers are specifically trained to never to stop when ambushed in a convoy.
- Citas
[last lines]
Tony Stark: There's been speculation that I was involved in the events that occurred on the freeway and the rooftop...
Christine Everheart: I'm sorry, Mr. Stark, but do you honestly expect us to believe that that was a bodyguard in a suit that conveniently appeared, despite the fact that...
Tony Stark: I know that it's confusing. It is one thing to question the official story, and another thing entirely to make wild accusations, or insinuate that I'm a superhero.
Christine Everheart: I never said you were a superhero.
Tony Stark: Didn't?
Christine Everheart: Mmm-mmm.
Tony Stark: Well, good, because that would be outlandish and, uh, fantastic. I'm just not the hero type. Clearly. With this laundry list of character defects, all the mistakes I've made, largely public.
Rhodey: [whispers to Tony] Just stick to the cards, man.
Tony Stark: Yeah, okay.
[holds up his notes and pauses]
Tony Stark: The truth is...
[puts cards down]
Tony Stark: I am Iron Man.
- Créditos adicionalesSPOILER: A scene appears after the closing credits: Tony Stark arrives home to find SHIELD director Nick Fury waiting for him so that they can discuss the Avengers Initiative. This leads into Los Vengadores (2012) (a superhero team of which Iron Man is a founding member).
- Versiones alternativasGerman theatrical version was cut (ca. 4 minutes) by distributor Concorde prior to submitting the film to the FSK since they desperately wanted a "Not under 12" rating. Ironically, when submitting the uncut version for the home video release, it was rated "Not under 12" as well, making the cut version even more unnecessary.
- ConexionesEdited into Spider-Man: Lejos de casa (2019)
- Banda sonoraBack In Black
Written by Brian Johnson, Malcolm Young and Angus Young
Performed by AC/DC
Courtesy of Columbia Records
By Arrangement with SONY BMG Music Entertainment
Favreau seems to have had an idea to get an origin story out while not boring us with long drawn out backstory. His ability to give us dual information at once is nicely orchestrated, showing Tony Stark in his basement creating while the TV in the background explains what is happening in the outside world of the Middle East and inside his own company. We as an audience are allowed to put the pieces together amidst the witty banter of Stark and the wonderful special effects. By the end of the film it is quite amazing how much information you will realize you now know, all culminating in a decent final battle, but more importantly a segue into the inevitable sequel. We are allowed entrance into the character evolution of Stark as he goes from war profiteer to man of action and cause, all while seeing the technology improve and advance before our eyes. Much like Batman, we have a hero here that needs help in fighting crime. He has no superhuman abilities besides his brain and being able to see his thoughts go from paper to reality is a feat of magic. Every stage is shown, every failure and success. It's quite the ride in and of itself, but when you add onto it the threat of global war and destruction, it can only get better.
The real success here is in the bold move of casting an actor over-40 to be a superhero. This takes guts, because no matter how appropriate it is, most studios would have said, "no, change the story and make him younger so we can churn out as many of these babies as we can." I don't know how he did it, but Favreau got Marvel to get Robert Downey Jr. to play Stark, a sarcastic lothario with the brain capacity of Einstein. I truly can't think of anyone better suited to the role and he proves it by nailing every single scene. I'm sure there was some ad-libbing, but even if not, his comic delivery and ability to switch on a dime to a sincere seriousness at will shows his masterful craft.
As for the rest of the cast, they all do well. Jeff Bridges plays the bombastic creature of villainy over-the-top, but appropriately so; Terrence Howard is nice as the friend and military liason, not given much to do, but definitely sowing seeds for the future; and Gwyneth Paltrow is good as the sweet assistant Pepper Potts who at times seems a little underwritten and more female prop than anything else, but comes through with some nice moments in a very comic sort of way. I also really liked Shaun Toub as Yinsen, Stark's savior, and Clark Gregg as the head of S.H.I.E.L.D. Good to see Favreau giving another actor turned director props, (Gregg's directorial debut comes out later this year in the form of Chuck Palahniuk's Choke). I just wish he would have shied away from putting himself in the film. It's one thing to be seen split-second, (like Stan Lee), but its another to give yourself a thankless role with multiple scenes, just adding fuel to the fire on people's opinions of egotism stemming from the drinking game created off of the TV show "Dinner for Five" and how many references to Swingers was made each episode. I'll forgive, though, because, once again, I'm a big fan.
One can't forget that this is an action film above all else, so we can't just praise the actors; every effect is also quite brilliant. Those scenes of Iron Man flying amongst fighter jets in the trailer seemed really lame, but when in context they deliver. The suit itself is amazing as well, through every mach stage right to the end. My main highlight, however, was with the computer systems that Stark utilizes. The multiple screens, instant holographic reproductions, and ability to actually interact with those 3D representations is stunning. We can create them in fantasy, but it's just too bad we can't yet in real life.
Now Iron Man is not a perfect film, nor even a perfect comic book adaptation. What it is, though, is a fun, comic actioner that should light up the box office. The final showdown is a bit of a whimper in comparison to the backstory and machine creation; a crucial element is saved from destruction in the one contrived bit of screen writing, (not quite utilized in the way I thought, although still for the same means); and some moments seem a tad campy rather than witty, but otherwise this is some topnotch cinema that should definitely be seen on the big screen. I can't wait to see how the story progresses in a couple years.
- jaredmobarak
- 28 abr 2008
- Enlace permanente
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Detalles
- Fecha de lanzamiento
- Países de origen
- Sitios oficiales
- Idiomas
- Títulos en diferentes países
- Iron Man. El Hombre de Hierro
- Localizaciones del rodaje
- Alabama Hills, Lone Pine, California, Estados Unidos(Afghanistan)
- Empresas productoras
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Presupuesto
- 140.000.000 US$ (estimación)
- Recaudación en Estados Unidos y Canadá
- 319.034.126 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 98.618.668 US$
- 4 may 2008
- Recaudación en todo el mundo
- 585.796.247 US$
- Duración2 horas 6 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.39 : 1