En la Venecia del siglo XVI, cuando un comerciante debe dejar de pagar un gran préstamo a un prestamista judío maltratado por un amigo con ambiciones románticas, el acreedor, amargamente ven... Leer todoEn la Venecia del siglo XVI, cuando un comerciante debe dejar de pagar un gran préstamo a un prestamista judío maltratado por un amigo con ambiciones románticas, el acreedor, amargamente vengativo, exige un pago espantoso en su lugar.En la Venecia del siglo XVI, cuando un comerciante debe dejar de pagar un gran préstamo a un prestamista judío maltratado por un amigo con ambiciones románticas, el acreedor, amargamente vengativo, exige un pago espantoso en su lugar.
- Nominado a 1 premio BAFTA
- 2 premios y 7 nominaciones en total
- Aragon
- (as Antonio Gil-Martinez)
Argumento
¿Sabías que...?
- CuriosidadesThe bare-breasted prostitutes were not put in the film to make it more risqué, but rather to add a note of historical authenticity. Venetian law at the time required all prostitutes to bare their breasts because the Christian authorities were concerned about rampant homosexuality in their city.
- PifiasIn Venice in 1598 a woman with no head-dress and her hair flowing loose would be taken for a whore, yet this is how Portia frequently appears.
- Citas
Shylock: I am a Jew! Hath not a Jew eyes? hath not a Jew hands, organs, dimensions, senses, affections, passions? Fed with the same food, hurt with the same weapons, subject to the same diseases, healed by the same means, warmed and cooled by the same winter and summer, as a Christian is? If you prick us, do we not bleed? if you tickle us, do we not laugh? if you poison us, do we not die? And if you wrong us, shall we not revenge? If we are like you in the rest, we will resemble you in that. If a Jew wrong a Christian, what is his humility? Revenge. If a Christian wrong a Jew, what should his sufferance be - by Christian example? Why, revenge. The villany you teach me, I will execute, and it shall go hard - but I will better the instruction.
- Créditos adicionalesPROLOGUE: "Intolerance of the Jews was a fact of 16th century life even in Venice, the most powerful and liberal city state in Europe."
"By law the Jews were forced to live in the old walled foundry or 'Geto' area of the city. After sundown the gate was locked and guarded by Christians."
"In the daytime any man leaving the ghetto had to wear a red hat to mark him as a Jew."
"The Jews were forbidden to own property. Thus, they practiced usury, the practice of lending money at interest. This was against Christian law."
"The sophisticated Venetians would turn a blind eye to it but for the religious fanatics, who hated the Jews, it was another matter . . . "
- ConexionesFeatured in 'Merchant of Venice': Shakespeare Through the Lens (2005)
- Banda sonoraWith Wand'ring Steps
Composed by Jocelyn Pook, Lyrics by John Milton
Arranged by Jocelyn Pook
Performed by Baroque Strings Quartet Ensemble, featuring solo vocals by Andreas Scholl
Harp: Siobhan Armstrong
Psaltery: Harvey Brough
Lute: Elizabeth Kenny
Published by Shylock Ltd / EMI Music Publishing Ltd
© 2004 Decca Music Group Limited
(p) Jocelyn Pook Ltd. /2004 Decca Music Group Limited
If you get a chance to hear Radford speak about the film, I highly recommend you take it, since he gives details about life in 16th century Venice that illuminate a lot of the choices he made and give considerable extra depth to the viewing. I'm hoping that the DVD will come out with extensive commentary.
Jeremy Irons does a gorgeous portrayal of Antonio, a man who resigns himself to bearing the burden of his past misdeeds. Lynn Collins, a relative unknown, gives us an absolutely flawless, stunning, and detailed job as Portia. Not only is Ms. Collins beautiful - she also gives Portia layers of intelligence and humor prior to the trial scene i've rarely seen in any production of this play. the rest of the cast also does a terrific job, with a notable performance by Kris Marshall as Gratiano, and a beautifully subtle work by Allan Corduner as Tubal, playing the foil to Shylock. Finally, while Al Pacino pulls out his usual strong (and loud) performance, his best moments are when the camera focuses on him and he says no words, but you can see all the emotions and madnesses flowing into and out of him as he perceives his fortunes changing.
If you like period movies, I cannot recommend this movie enough.
- obsessed-2
- 4 dic 2004
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Detalles
- Fecha de lanzamiento
- Países de origen
- Sitios oficiales
- Idiomas
- Títulos en diferentes países
- El mercader de Venècia
- Localizaciones del rodaje
- Esch-sur-Alzette, Luxemburgo(only Venice film set)
- Empresas productoras
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Presupuesto
- 30.000.000 US$ (estimación)
- Recaudación en Estados Unidos y Canadá
- 3.765.585 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 69.868 US$
- 2 ene 2005
- Recaudación en todo el mundo
- 21.560.182 US$
- Duración2 horas 11 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.35 : 1