PUNTUACIÓN EN IMDb
6,3/10
5,2 mil
TU PUNTUACIÓN
Una mujer rica contrata a una prostituta de élite para verificar la fidelidad de su marido. En poco tiempo, el experimento se sale de control.Una mujer rica contrata a una prostituta de élite para verificar la fidelidad de su marido. En poco tiempo, el experimento se sale de control.Una mujer rica contrata a una prostituta de élite para verificar la fidelidad de su marido. En poco tiempo, el experimento se sale de control.
- Premios
- 2 nominaciones en total
Christian Päffgen
- L'homme d'un soir
- (as Ari Päffgen)
Sasha Rucavina
- Marianne
- (as Sacha Rukavina)
Serge Onteniente
- L'agent immobilier
- (as Serge Onteniente-Boutleroff)
Argumento
¿Sabías que...?
- CuriosidadesNathalie Ribout, the initial script by Philippe Blasband, was published as a play in 2003 and made it to the stage in Paris in 2009 at the Théâtre Marigny with Virginie Efira as Nathalie and Maruschka Detmers as the wife. The play isn't considered to be an adaptation of the film, but more of a variation on the same idea, as Blasband's original screenplay was significantly reworked for the film, with the couple in Blasband's script being separated and in the midst of divorce proceedings, in addition to being named Sonia and Jean-Luc instead of Catherine and Bernard.
- Citas
Un client de Marlène: [Sitting with Nathalie/Marlene, at the bar where she works] Can I ask you a question? Are you shaved?
- ConexionesFeatured in Legendy mirovogo kino: Fanny Ardant
- Banda sonoraTrois Petites Notes de Musique
Music by Georges Delerue
Lyrics by Henri Colpi
Performed by Judith Magre
Reseña destacada
Although you should never really judge a film by its poster/DVD cover, it's hard not to when the poster in question has Emmanuelle Beart looking very saucy and beautiful indeed. The film centres around a failing marriage, mainly from the wife's perspective as she hires a prostitute for her husband and get the low down on his filthy little sexual fantasies. Despite this sordid little set up the film is charmingly refrains itself from gratuitous erotic scenes by only having descriptions of the acts that go on. This results in a very 'talky' film, but still a very steamy and effective one. Ardant leads the film, and manages to give an effective performance as a rejected wife in a passionless marriage, although at some points during the film the audience is left to contemplate her motives, and what exactly she is hoping to achieve from this experiment. Beart, is the real star, not only because she is stunning and makes it impossible to look away from the film, but she also offers a complex character, who is creating a complex character for herself within the film. At times she seems strong and in charge, and sometimes she comes across as weak and insecure. The slow and subtle way the bizarre friendship between the two leads evolves is well handled by director Anne Fontaine. The slow pace of the film is also a delight as it perfectly presents the flow of the marriage itself. Gerard Depardieu isn't used enough, we never get to know the character, and characters opinions contradict what we see of him. However since the film is told from the wife's perspective, this is understandable. Paris is represented with the usual busy streets and coffee shops with small apartments, but this is certainly not a film about locale. Overall the film is a joy to look at, and very well made. An underrated gem to sit down with on a quiet afternoon.
- SnakesOnAnAfricanPlain
- 3 mar 2005
- Enlace permanente
Selecciones populares
Inicia sesión para calificar y añadir a tu lista para recibir recomendaciones personalizadas
- How long is Nathalie...?Con tecnología de Alexa
Detalles
Taquilla
- Presupuesto
- 7.350.000 € (estimación)
- Recaudación en Estados Unidos y Canadá
- 31.008 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 10.351 US$
- 16 abr 2006
- Recaudación en todo el mundo
- 5.254.422 US$
- Duración1 hora 46 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.35 : 1
Contribuir a esta página
Sugerir un cambio o añadir el contenido que falta