Occident

Lucian is a 29 year old botanist whose financial security is threatened after his job gets cut. After finding himself evicted from his old apartment, his practical girlfriend is unwilling to accept his proposition to move in with his elderly aunt and himself and starts seeking solace in the company of an older foreigner about to return to France. Mihaela is a 24 year old romantic idealist and aspiring poetess who after being stood up at the altar has to reluctantly accept her willful mother's attempts at finding her a well-off foreigner suitor. "The colonel", a retiring police officer and Mihaela's father is approached by a Romanian expat to assist with breaking the news of the death of one of his friends, all the while trying to avert his daughter's ill-suited wooer.

The three stories in the film, although clearly delineated, are closely intertwined and interdependent, and its strings often blend seamlessly and fluently into one another. Showing signs of Kieslowski (imagery), Tarr (multi-perspective narrative structure) and Wong (theme of failed connections and longing), "Occident" holds a strong grip and deliberate pace on its three plots, gradually revealing more layers of each of its three protagonists, and often amending previously shown events through its crafty fragmented narrative.

Cristian Mungiu's first feature directorial effort paints a bittersweet picture on the transitional period of Romania a decade after the fall of the communist regime, most acutely marked by the large-scale brain-drain occurring after the late 90s recession. Frequently underscored by a popular local hit from the 70s, "Noi in anul 2000" ("We, in the year 2000"), whose youthful, innocently hopeful lyrics create a feeling of melancholy and forlornness when contrasted with the bleakness and ennui of contemporary adulthood in Romania, the film approaches themes of chance, displacement and longing. Allured by the mirage of an idealized West full of opportunity for a better life, the characters in the film are in pursuit of an ever elusive happiness, narrowly missing their chance and failing to reach a meaningful connection.