This visual adaptation of Joseph Sheridan le Fanu's short story is, as I remember, as faithful to the pace and tone of the original work as any film I've come across. As compelling as the story, and lit in a way evocative of Vermeer and Schalken, it proceeds with an attention to static detail and earthiness that one normally associates with Dutch interior pictures of the 17th century, adding to this already addictive blend the grim inevitability of a supernaturally sinister social deal based on personal gain. Anyone interested in this period of Dutch history will gain much enjoyment from this film - paradoxes abound in this curious world of high art, dedication, order, status, lust, pecuniary gain, moral, (and physical), corruption. Truly a lost masterpiece.
