Competencia desleal

Título original: Concorrenza sleale

2001
A
1h 53min

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Añade un argumento en tu idiomaTwo textile traders, with the shop close to one another, fight for the supremacy of their own business during the racial laws in Italy.Two textile traders, with the shop close to one another, fight for the supremacy of their own business during the racial laws in Italy.Two textile traders, with the shop close to one another, fight for the supremacy of their own business during the racial laws in Italy.

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PUNTUACIÓN EN IMDb

6,9/10

1,6 mil

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Premios
- 4 premios y 15 nominaciones en total

Imágenes14

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Argumento

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Curiosidades
Michele Riondino auditioned for the role of Paolo.

Citas
Professor Angelo: [correcting a kid's lesson] 5 for the grammar, less 5 for the ideas, equals zero. Yes. Zero.
Umberto Melchiori: I won't discuss the grammar but the ideas were quite clear.
Professor Angelo: This dammed regime killed the critical sense of the country, it left us stupid. Even the children got pompuous. Where's the irony?
Umberto Melchiori: You're asking me? I don't know.
Professor Angelo: You don't know anything.
[pauses]
Professor Angelo: It's dead.
Umberto Melchiori: Who?
Professor Angelo: The irony.

Conexiones
References Avanti c'è posto... (1942)

Banda sonora
La Rumba delle Noccioline (The Peanuts Vendor)
Written by Moïse Simons (as Simons) and Italian lyrics by Alberto Simeoni (as Simenoni)
FRANCHI C. Casa Editrice Musicale, S.r.l.

Reseñas de usuarios4

Comentarios

Reseña destacada

good but not Scola at his best

I went to see this because I absolutely loved Una giornata particolare (starring among others Sophia Loren and Marcello Mastroianni, Ettore Scola's other movie about the enforcement of racial laws in Italy in 1938. Concorrenza SLeale is not as good, showing some great points but somehow lacking "a glue" that keeps it all together; maybe the movie should have concentrated a little bit less on the daily life of the two families, although this is probably the only way to tell such a story. all the actors are great, the kids, the elderly, Castellitto and Abatantuono and (of course) Depardieu, with a special mention for Sabrina Impacciatore (the shop assistant) and Emanuele Salce as the weird guy hired by Abatantuono. still on the good points, the historical reconstruction is great: a street with *real* homes was built in cinecitta', and all the props are from the right period, from ad posters to a technical drawing-table; unfortunately this does not apply to the dialogues, which are a little bit too informal, even inside a family, for 1938 Italy.

All in all, one to see, but first enjoy "Una giornata particolare", you won't regret it.