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TU PUNTUACIÓN
Cuando los ascensores de un rascacielos de Nueva York empiezan a fallar, se envía al mecánico Mark Newman a investigar. Tras atroces "accidentes", Mark se une a la reportera Jennifer para de... Leer todoCuando los ascensores de un rascacielos de Nueva York empiezan a fallar, se envía al mecánico Mark Newman a investigar. Tras atroces "accidentes", Mark se une a la reportera Jennifer para descubrir la verdad.Cuando los ascensores de un rascacielos de Nueva York empiezan a fallar, se envía al mecánico Mark Newman a investigar. Tras atroces "accidentes", Mark se une a la reportera Jennifer para descubrir la verdad.
William Vanderpuye
- Murphy
- (as Will Vanderpuye)
Argumento
¿Sabías que...?
- CuriosidadesA wide theatrical release in the United States was canceled due to the 9/11 terrorist attacks. Although entirely coincidental, the film makes several references to terrorism in New York City, getting as specific as mentioning plane hijackings and Osama Bin Laden destroying the World Trade Center.
- Citas
Jennifer Evans: I'll pee on them.
- ConexionesFeatured in The Cine-Masochist: THE LIFT (2021)
- Banda sonoraShe's Not There
Written by Rod Argent
Performed by The Zombies
Courtesy of Columbia Records
By Arrangement with Sony Music Licensing
Reseña destacada
It all begins with a sweeping, awe-inspiring shot of The Millennium Building, one of New York City's premier hotels, housing all of 100-some odd floors. We zero in on two goombah bellboys spying on an old man and two old-looking women boinking in a highrise across the street; this scene brings to mind Brian De Palma's "Body Double," and the decent production values mixed with aforementioned homage give the viewer an (admittedly misleading) impression of what's to come. While fully aware of the (admittedly deserved) bad reputation most DTV efforts have, "The Shaft" at least starts off with promise. Writer-director Dick Maas (remaking his 1983 Dutch original, "The Lift") has a knack for framing scenes, building suspense, and keeping his camera firmly in the moment. The problem is, his script is a muddled misfire, never quite settling on a solid path; the result is an accidental bending of sci-fi, horror, and flat-out action that never gels as well as it should. After an elevator in the Millennium knocks off a bunch of victims in extravagant fashion, the plot devolves into a drawn out (and ultimately unsuccessful) search for The Truth--suddenly elevator repairman James Marshall (imagine a cut-rate Brad Pitt) and fetching reporter Naomi Watts (pre-"Mulholland Drive") are standing in for Guy Pearce and Russell Crowe, turning this into "El.A. Confidential." And in the final act, Maas spins the film into the outer limits of absurdity with a Michael Bay extravaganza of stunts and explosions, throwing in some references to Osama bin Laden and terrorism (pre-9/11!) for good measure. Save for Watts' lead role, most of the big names on the video box (including Ron Perelman, Dan Hedaya, Edward Herrmann, and Michael Ironside) are relegated to smaller 'guest appearances' (though every little bit helps). Big names aside, the premise is stretched so thin that you'll be hard-pressed to care about anything by the time the noisy climax rolls around. "The Shaft" takes a concept with genuine horror potential and transforms it into a bowl of cold oatmeal.
- Jonny_Numb
- 28 jun 2006
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- How long is The Shaft?Con tecnología de Alexa
Detalles
Taquilla
- Presupuesto
- 15.000.000 US$ (estimación)
- Recaudación en todo el mundo
- 535.658 US$
- Duración1 hora 51 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.35 : 1
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