James Bond es enviado a investigar la conexión entre un terrorista de Corea del Norte y un magnate de los diamantes, que financia el desarrollo de un arma espacial internacional.James Bond es enviado a investigar la conexión entre un terrorista de Corea del Norte y un magnate de los diamantes, que financia el desarrollo de un arma espacial internacional.James Bond es enviado a investigar la conexión entre un terrorista de Corea del Norte y un magnate de los diamantes, que financia el desarrollo de un arma espacial internacional.
- Premios
- 6 premios y 36 nominaciones en total
Michael Gor
- Vlad
- (as Michael Gorevoy)
Argumento
¿Sabías que...?
- CuriosidadesThe book that 007 picks up from the Cuban sleeper, along with a revolver, is "A Field Guide to Birds of the West Indies", written by James Bond. Ian Fleming, an avid birdwatcher, named Bond after the author.
- PifiasWhen Bond is using the sniper rifle, Jinx utters some nonsense about "Windage 1 and 1/2." This information is useless to Bond, without some type of direction or denomination. Equally we are told that Bond is only shooting from 300 metres making such information unnecessary.
- Citas
James Bond: You know, I've missed your sparkling personality.
Zao: [punching Bond in the stomach] How's that for a punch line?
- Créditos adicionalesThe opening credits play over scenes directly related to the plot of the film (in this case, the torture of 007). This is a first for a Bond film. Also, footage from this sequence later appears as a brief flashback - something only seen in the series twice before (OHMSS and Moonraker).
- Versiones alternativasThe R1 DVD release includes a special feature that allows viewers to watch raw footage of several key scenes, with the choice of multiple angles. One of these scenes - the sword fight between Bond and Graves - contains a rare blooper when Brosnan is unable to find the diamond in his pocket. Another multi-angle scene showing Halle Berry emerging from the water in her bikini, is hidden away on the DVD as an easter egg.
- ConexionesEdited into Omega 'Die Another Day' Television Commercial (2002)
- Banda sonoraDie Another Day
Performed by Madonna
Written and Produced by Madonna and Mirwais Ahmadzaï
Madonna appears courtesy of Warner Bros. Records
Reseña destacada
I saw this film on it's release in 2002 and several times since, and on a recent viewing in 2021 I was pleased to see it has aged quite well, with this being Pierce Brosnan's 4th film as Bond which he had comfortably grown into by this stage.
It has been knocked by critics and fans a like over the years for some questionable CGI effects and fantastical ideas, like Bond using an invisible car for instance, but on the whole it is hugely entertaining and along with Goldeneye this is Brosnan at his best.
This was the 20th Bond film released 40 years after Dr. No (1962) and the filmmakers clearly decided to pay homage to previous films with the gadgets of Connery's Bond, the playfulness of Lazenby & Moore and the grittiness of Dalton's outings. For fans there are plenty of references to previous Bond films, the most obvious being Diamonds Are Forever (1971), and New Zealand director Lee Tamahori uses some slick visuals to bring Brosnan's Bond bang up to date and throws everything in but the kitchen sink.
Halle Berry is an above average Bond girl who is introduced by rising out of the water in homage to Ursula Andress in Dr. No but it's a shame Michael Madsen isn't given much to do. Judi Dench plays M with dignity once again and there's light relief with John Cleese stepping into the role as Q. Pop star Madonna makes an appearance in one scene after providing the disappointing theme tune, with an awful remix that appears over the end credits, but David Arnold's score is on par with his other Bond scores, although this lacks any thematic qualities to give Die Another Day an identity of it's own and seems to totally ignore the main song which usually gets referenced.
This certainly isn't the best Bond but it is not the worst either as some would like you to believe, although the criticism the film received made the producers Barbara Broccoli and Michael G. Wilson take notice as they let Brosnan go after only his 4th film and decided to reboot the franchise with a much harder edged Bond 4 years later with Daniel Craig.
I always felt Brosnan had at least one more Bond left in him and that his tenure was prematurely cut short. For me he has the best Bond 'look' out of all the actors who has played him but didn't necessarily get the best directors or scripts he deserved to fully flesh out the role. He may have been 47 when this film was made, and fans were quick to allude the initials of the film's title spelled out DAD, meaning the character was no longer hip or relatable to a younger audience, however Daniel Craig was 52 when he filmed his last Bond so age should not have been an issue.
Die Another Day deserves another look and to be re-evaluated, sure it's loud, flashy, full of explosions with some outlandish concepts that pushed fans too far but seen as a tribute to the previous 40 years of Bond it does a fitting job whilst being great entertainment.
It has been knocked by critics and fans a like over the years for some questionable CGI effects and fantastical ideas, like Bond using an invisible car for instance, but on the whole it is hugely entertaining and along with Goldeneye this is Brosnan at his best.
This was the 20th Bond film released 40 years after Dr. No (1962) and the filmmakers clearly decided to pay homage to previous films with the gadgets of Connery's Bond, the playfulness of Lazenby & Moore and the grittiness of Dalton's outings. For fans there are plenty of references to previous Bond films, the most obvious being Diamonds Are Forever (1971), and New Zealand director Lee Tamahori uses some slick visuals to bring Brosnan's Bond bang up to date and throws everything in but the kitchen sink.
Halle Berry is an above average Bond girl who is introduced by rising out of the water in homage to Ursula Andress in Dr. No but it's a shame Michael Madsen isn't given much to do. Judi Dench plays M with dignity once again and there's light relief with John Cleese stepping into the role as Q. Pop star Madonna makes an appearance in one scene after providing the disappointing theme tune, with an awful remix that appears over the end credits, but David Arnold's score is on par with his other Bond scores, although this lacks any thematic qualities to give Die Another Day an identity of it's own and seems to totally ignore the main song which usually gets referenced.
This certainly isn't the best Bond but it is not the worst either as some would like you to believe, although the criticism the film received made the producers Barbara Broccoli and Michael G. Wilson take notice as they let Brosnan go after only his 4th film and decided to reboot the franchise with a much harder edged Bond 4 years later with Daniel Craig.
I always felt Brosnan had at least one more Bond left in him and that his tenure was prematurely cut short. For me he has the best Bond 'look' out of all the actors who has played him but didn't necessarily get the best directors or scripts he deserved to fully flesh out the role. He may have been 47 when this film was made, and fans were quick to allude the initials of the film's title spelled out DAD, meaning the character was no longer hip or relatable to a younger audience, however Daniel Craig was 52 when he filmed his last Bond so age should not have been an issue.
Die Another Day deserves another look and to be re-evaluated, sure it's loud, flashy, full of explosions with some outlandish concepts that pushed fans too far but seen as a tribute to the previous 40 years of Bond it does a fitting job whilst being great entertainment.
- Colbridge
- 18 sept 2021
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Detalles
- Fecha de lanzamiento
- Países de origen
- Sitio oficial
- Idiomas
- Títulos en diferentes países
- Mor un altre dia
- Localizaciones del rodaje
- Empresas productoras
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Presupuesto
- 142.000.000 US$ (estimación)
- Recaudación en Estados Unidos y Canadá
- 160.942.139 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 47.072.040 US$
- 24 nov 2002
- Recaudación en todo el mundo
- 431.971.781 US$
- Duración2 horas 13 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.39 : 1
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