Añade un argumento en tu idiomaStarting in Palermo, Italy, 1977 - The ups and downs of a mafia family opposed to drug trade until the men are murdered and the widows take over.Starting in Palermo, Italy, 1977 - The ups and downs of a mafia family opposed to drug trade until the men are murdered and the widows take over.Starting in Palermo, Italy, 1977 - The ups and downs of a mafia family opposed to drug trade until the men are murdered and the widows take over.
- Premios
- 8 nominaciones en total
Argumento
¿Sabías que...?
- CuriosidadesA 2018 article by The New Yorker details that Illeana Douglas's casting in the film came as a hush settlement from CBS media executive Leslie Moonves so she wouldn't follow with a potential sexual assault lawsuit over another project. Douglas was initially cast on a TV sitcom and after rejecting advances from the producer, she was fired from the sitcom. Douglas confirmed the incident in the wake of MeToo movement when Moonves was accused of numerous allegations of abuse and harassment, which ended his career on CBS.
- PifiasAfter Signor Musetti (Michael Kagen) is poisoned and collapses in his limo, he is seen dancing with Teresa (Illena Douglas) at the wedding reception which he had already left.
- Citas
Luka - Age 10: Are you some kind of prisoner?
Giorgio Corolla: Possibly, but only of my own physical deformities.
Luka - Age 10: You're not eating?
Giorgio Corolla: Help yourself.
Luka - Age 10: Whats that stink in here? Do you go in your pants?
Giorgio Corolla: [chuckles] No, not today, fortunatly
Luka - Age 10: How old are you?
Giorgio Corolla: Older then anyone anticipated I would ever live to be, especially my father. How old are you?
Luka - Age 10: I dunno... Watcha got all these books for?
Giorgio Corolla: I read.
Luka - Age 10: You're a gargoyle! I like you, pig face.
- ConexionesFeatured in The 55th Annual Golden Globe Awards (1998)
- Banda sonoraBella Luna
Written by Peter D. Kaye and Lorenzo Caccialanza
But those were the only good sides. The director of "The Last Don" did poorly with this venture, as did the screenwriters. Not only were the characters underdeveloped, but their setting, behavior, and movements were utterly unbelievable. I do not know what the director was thinking, but when the a set of four women remains unchanged and un-aging through the interval of twenty years--the viewer may well question the quality of the film. The accents, so well done in "The Last Don" were misplaced or absent here. To make a long story short (too late?), the actors struggle valiantly against overwhelming odds to do a good job in the mess of a script they must work with, but their battle is lost.
- iliawarlock
- 4 jul 2003
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