Una historia de codicia, engaño, dinero, poder y asesinato se produce entre dos buenos amigos: un mafioso y un director de casino compiten entre sí por un imperio de juego y por una mujer.Una historia de codicia, engaño, dinero, poder y asesinato se produce entre dos buenos amigos: un mafioso y un director de casino compiten entre sí por un imperio de juego y por una mujer.Una historia de codicia, engaño, dinero, poder y asesinato se produce entre dos buenos amigos: un mafioso y un director de casino compiten entre sí por un imperio de juego y por una mujer.
- Nominado para 1 premio Óscar
- 4 premios y 11 nominaciones en total
Philip Suriano
- Dominick Santoro
- (as Phillip Suriano)
What Scorsese Film Ranks Highest on IMDb?
What Scorsese Film Ranks Highest on IMDb?
Cinema legend Martin Scorsese has directed some of the most acclaimed films of all time. See how IMDb users rank all of his feature films as director.
Argumento
¿Sabías que...?
- CuriosidadesMost of the conversations between Robert De Niro and Joe Pesci were improvised. Martin Scorsese would tell them where to start and where to end. The rest was up to them.
- PifiasThe sound of shoes walking on floor is heard in the bedroom when Ginger returns to Ace after he throws her out of the house. The bedroom is carpeted, so Ginger's shoes shouldn't have made any sound.
- Citas
Ace Rothstein: [to Don] Listen to me very carefully. There are three ways of doing things around here: the right way, the wrong way, and the way that *I* do it. You understand?
- Créditos adicionales"This is a fictional story with fictional characters adapted from a true story."
- Versiones alternativasFinnish VHS release is cut by 1 minute. Notable cuts were:
- Tony Dogs being tortured with the vice
- Baseball bat killings
- ConexionesFeatured in Cops (1994)
- Banda sonoraMatthäuspassion BMV
Composed by Johann Sebastian Bach (uncredited)
Performed by the Chicago Symphony Orchestra
Conducted by Georg Solti (as Sir Georg Solti)
Courtesy of the Decca Record Company Limited, London
by Arrangement with PolyGram Film & TV Licensing
Reseña destacada
I have to admit my bias, because I believe that Scorcese cannot do wrong - ever. Even his lesser-known or critically panned films are above the "great film" line, and Casino is certainly no exception.
Casino spans three decades and chronicles the true story of a faction of the mob who ran Las Vegas casinos. Robert DeNiro plays Ace Rothstein, a fantastic bookie who is chosen to run the Tangiers hotel and casino. Along the way, he marries a drug-addicted con-artist trophy wife (Sharon Stone) and struggles with his friendship with loose-cannon Nicky Santoro (Joe Pesci). Rothstein is a complicated figure in that he is not a heavy, yet he wields a lot of power due to the respect he has gained from his mob bosses back home.
Robert DeNiro and Joe Pesci are both fantastic in their roles, and Sharon Stone actually turned out a non-irritating performance. As the viewer, you can't stand her, but that is the point. Scorcese's normal supporting cast are also involved in this film, including his great mother - even though she usually has incredibly minimal roles, they are always memorable.
Scorcese seems to have several different directing styles, and Casino follows in the tradition of Goodfellas as a pseudo-documentary. A lot of the exposition is revealed by the characters themselves in the form of voice-overs, and several scenes are filmed in documentarian fashion. The entire production however, is sleek and very quick. The use of music bears mentioning as well: Most Martin Scorcese films have an amazing soundtrack that adds to and enhances the scene. Being a child of the MTV age, I'm a sucker for good uses of music in films and Scorcese is a master. Scorcese doesn't just utilize the soundtrack, he makes it part of the storytelling - by the music, we chronologically know what time period we are witnessing, since one cannot rely on other factors, such as fashion alone. One of my favorite scenes in film which effectively involves music is actually from Casino - the very intense scene when the relationship between DeNiro, Stone and Pesci come to a head in the climax of the film. The pounding music cut throughout this scene is a cover of "Satisfaction" by Devo and the result is absolutely brilliant.
Being a complete film geek, I generally don't go to films that feature certain stars, I go to films by certain directors and Scorcese is one of them. While this was probably the tenth time I'd seen this film there were more things I noticed, and I'm sure I'll notice more upon my eleventh viewing. The man is a complete genius, and a gift to film - my suggestion is to watch some of his films, then check out his unbelievable series, "A Personal Journey with Martin Scorcese Through American Movies" which was done the same year as Casino. The series is essentially a primer on the history of film, sectioned off by film genres. You not only will experience his amazing intellect and massive knowledge of film history, but his incredible humility as well.
--Shelly
Casino spans three decades and chronicles the true story of a faction of the mob who ran Las Vegas casinos. Robert DeNiro plays Ace Rothstein, a fantastic bookie who is chosen to run the Tangiers hotel and casino. Along the way, he marries a drug-addicted con-artist trophy wife (Sharon Stone) and struggles with his friendship with loose-cannon Nicky Santoro (Joe Pesci). Rothstein is a complicated figure in that he is not a heavy, yet he wields a lot of power due to the respect he has gained from his mob bosses back home.
Robert DeNiro and Joe Pesci are both fantastic in their roles, and Sharon Stone actually turned out a non-irritating performance. As the viewer, you can't stand her, but that is the point. Scorcese's normal supporting cast are also involved in this film, including his great mother - even though she usually has incredibly minimal roles, they are always memorable.
Scorcese seems to have several different directing styles, and Casino follows in the tradition of Goodfellas as a pseudo-documentary. A lot of the exposition is revealed by the characters themselves in the form of voice-overs, and several scenes are filmed in documentarian fashion. The entire production however, is sleek and very quick. The use of music bears mentioning as well: Most Martin Scorcese films have an amazing soundtrack that adds to and enhances the scene. Being a child of the MTV age, I'm a sucker for good uses of music in films and Scorcese is a master. Scorcese doesn't just utilize the soundtrack, he makes it part of the storytelling - by the music, we chronologically know what time period we are witnessing, since one cannot rely on other factors, such as fashion alone. One of my favorite scenes in film which effectively involves music is actually from Casino - the very intense scene when the relationship between DeNiro, Stone and Pesci come to a head in the climax of the film. The pounding music cut throughout this scene is a cover of "Satisfaction" by Devo and the result is absolutely brilliant.
Being a complete film geek, I generally don't go to films that feature certain stars, I go to films by certain directors and Scorcese is one of them. While this was probably the tenth time I'd seen this film there were more things I noticed, and I'm sure I'll notice more upon my eleventh viewing. The man is a complete genius, and a gift to film - my suggestion is to watch some of his films, then check out his unbelievable series, "A Personal Journey with Martin Scorcese Through American Movies" which was done the same year as Casino. The series is essentially a primer on the history of film, sectioned off by film genres. You not only will experience his amazing intellect and massive knowledge of film history, but his incredible humility as well.
--Shelly
- FilmOtaku
- 13 may 2003
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Detalles
- Fecha de lanzamiento
- Países de origen
- Sitio oficial
- Idioma
- Títulos en diferentes países
- Casino, de Scorsese
- Localizaciones del rodaje
- Empresas productoras
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Presupuesto
- 52.000.000 US$ (estimación)
- Recaudación en Estados Unidos y Canadá
- 42.512.375 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 9.946.480 US$
- 26 nov 1995
- Recaudación en todo el mundo
- 116.112.375 US$
- Duración2 horas 58 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.39 : 1
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