PUNTUACIÓN EN IMDb
6,4/10
66 mil
TU PUNTUACIÓN
Una fuerza demoníaca ha escogido a Freddy Krueger como su portal hacia el mundo real, y Nancy intenta detenerlo una vez más.Una fuerza demoníaca ha escogido a Freddy Krueger como su portal hacia el mundo real, y Nancy intenta detenerlo una vez más.Una fuerza demoníaca ha escogido a Freddy Krueger como su portal hacia el mundo real, y Nancy intenta detenerlo una vez más.
- Premios
- 3 premios y 7 nominaciones en total
Jf Davis
- Freddy's Hand Double
- (as Jeffrey John Davis)
Argumento
¿Sabías que...?
- CuriosidadesIn this film, Freddy is depicted much closer to what Wes Craven had originally intended for the character, much more menacing, much less comical, with an updated attire and appearance. However in 2015, before his death, he would admit he regretted changing his appearance and said: "If it ain't broke, don't fix it." Which was why he kept Ghostface's mask the same in every Scream movie.
- Pifias(at around 1h 18 mins) When Julie punches out the head nurse, she is knocked out cold onto the floor. The second nurse runs out the door screaming, afraid of the syringe. Somehow, the head nurse ends up outside the door trying to get inside.
- Citas
Heather Langenkamp: Every kid knows who Freddy is. He's like Santa Claus... or King Kong or...
- Créditos adicionalesFreddy Krueger was included in the end credits as 'Himself'.
- Banda sonoraLosing My Religion
Written by Bill Berry, Peter Buck, Mike Mills & Michael Stipe
Courtesy of Night Garden Music
Reseña destacada
Wes Craven's New Nightmare (1994)
*** 1/2 (out of 4)
Intense, smart and still underrated seventh film in the series delivers exactly what the title says and that's something new. This time out the people involved with the making of the original A NIGHTMARE ON ELM STREET are starting to experience strange dreams. Wes Craven appears ready to join the series again and has started writing a script but star Heather Langenkamp begins to fear that some type of Freddy is actually after all of them. This isn't the first film to deal with a horror director being haunted by his creation as Lucio Fulci did this type of thing with CAT IN THE BRAIN but there's world of difference between the two films. This one here is an incredibly smart and extremely intense venture into ones fears and how like can sometimes imitate art. It's sad to think that this film will soon be twenty years old and yet it's still never gotten the credit that it deserves. As a behind-the-scenes look at Hollywood the film works extremely well but it also works as a straight horror film. I think Craven's screenplay is so well written that we never have trouble believing what's going on. It's a pretty interesting idea to have those making movies become haunting by the fake thing they created. Not only do we get Craven and Langenkamp but we also have New Line head-man Robert Shaye and Freddy himself Robert Englund being haunted by the fake monster. Everyone acts themselves very well with Langenkamp turning in her third venture in the series and without question her best performance. She handles everything extremely well and comes off very good as the concerned mother who must eventually take on Freddy to protect her son. Englund has a lot of fun in the parts of himself but he really goes all out when it's time to play Freddy. A few other cast members from the first film make brief appearances here but John Saxon gets a very good role and does a great job with it. It's always great seeing him in anything. I think the greatest thing the movie does is get Freddy away from the one-liners and jokes and returns him to the scares of the original film. The entire look of Freddy's face, glove and clothes were changed here and I think they were all done for the better. The bulked up creation is a lot creepier here and he's able to be that menace of terror once again. Craven's direction is top-notch from start to finish with some of his best work appearing in some very disturbing scenes. One involves a freeway sequence and another is a re-enactment of one of the death scenes from the original movie. The film depends a lot on "real life" emotions and these work extremely well and add to the drama of what the characters are going through. It's a real shame that this film isn't given more credit as it did come before SCREAM and really was the first of the decade to go for that "smart" horror film.
*** 1/2 (out of 4)
Intense, smart and still underrated seventh film in the series delivers exactly what the title says and that's something new. This time out the people involved with the making of the original A NIGHTMARE ON ELM STREET are starting to experience strange dreams. Wes Craven appears ready to join the series again and has started writing a script but star Heather Langenkamp begins to fear that some type of Freddy is actually after all of them. This isn't the first film to deal with a horror director being haunted by his creation as Lucio Fulci did this type of thing with CAT IN THE BRAIN but there's world of difference between the two films. This one here is an incredibly smart and extremely intense venture into ones fears and how like can sometimes imitate art. It's sad to think that this film will soon be twenty years old and yet it's still never gotten the credit that it deserves. As a behind-the-scenes look at Hollywood the film works extremely well but it also works as a straight horror film. I think Craven's screenplay is so well written that we never have trouble believing what's going on. It's a pretty interesting idea to have those making movies become haunting by the fake thing they created. Not only do we get Craven and Langenkamp but we also have New Line head-man Robert Shaye and Freddy himself Robert Englund being haunted by the fake monster. Everyone acts themselves very well with Langenkamp turning in her third venture in the series and without question her best performance. She handles everything extremely well and comes off very good as the concerned mother who must eventually take on Freddy to protect her son. Englund has a lot of fun in the parts of himself but he really goes all out when it's time to play Freddy. A few other cast members from the first film make brief appearances here but John Saxon gets a very good role and does a great job with it. It's always great seeing him in anything. I think the greatest thing the movie does is get Freddy away from the one-liners and jokes and returns him to the scares of the original film. The entire look of Freddy's face, glove and clothes were changed here and I think they were all done for the better. The bulked up creation is a lot creepier here and he's able to be that menace of terror once again. Craven's direction is top-notch from start to finish with some of his best work appearing in some very disturbing scenes. One involves a freeway sequence and another is a re-enactment of one of the death scenes from the original movie. The film depends a lot on "real life" emotions and these work extremely well and add to the drama of what the characters are going through. It's a real shame that this film isn't given more credit as it did come before SCREAM and really was the first of the decade to go for that "smart" horror film.
- Michael_Elliott
- 23 abr 2010
- Enlace permanente
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- How long is New Nightmare?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- País de origen
- Sitio oficial
- Idioma
- Títulos en diferentes países
- La nueva pesadilla
- Localizaciones del rodaje
- Gothic Avenue / San Fernando Mission Boulevard, Estados Unidos(Heather drives to Wes' house)
- Empresa productora
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Presupuesto
- 8.000.000 US$ (estimación)
- Recaudación en Estados Unidos y Canadá
- 18.090.181 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 6.667.118 US$
- 16 oct 1994
- Recaudación en todo el mundo
- 19.721.741 US$
- Duración1 hora 52 minutos
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1
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What is the streaming release date of La nueva pesadilla de Wes Craven (1994) in India?
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