Tres colores: Blanco

Título original: Trois couleurs : Blanc

1994
18
1h 32min

PUNTUACIÓN EN IMDb

7,6/10

82 mil

TU PUNTUACIÓN

Julie Delpy and Zbigniew Zamachowski in Tres colores: Blanco (1994)

Three Reasons Criterion Trailer for Three Colors: White

Reproducir trailer1:33

1 vídeo

99+ imágenes

Dark Comedy Psychological Drama Satire Tragic Romance Comedy Drama Romance

Tras divorciarse de su mujer, un inmigrante polaco trama vengarse de ella.Tras divorciarse de su mujer, un inmigrante polaco trama vengarse de ella.Tras divorciarse de su mujer, un inmigrante polaco trama vengarse de ella.

Ver la información de la producción en IMDbPro

PUNTUACIÓN EN IMDb

7,6/10

82 mil

TU PUNTUACIÓN

Ver la información de la producción en IMDbPro

Premios
- 2 premios y 6 nominaciones en total

Curiosidades
Krzysztof Kieslowski was a very precise filmmaker. During the scene in which Dominique has an orgasm, he told Julie Delpy exactly how long she had to moan and when she had to start to moan louder.

Pifias
When Mikolaj hires Karol to kill him, Karol fires a gun into his chest, then says "That was a blank. The next one's real." While blank cartridges do not contain bullets, they can discharge a wad of cotton at high velocity (which is what killed actor Jon-Erik Hexum when he jokingly fired a blank into his temple). Mikolaj would have been severely injured if not killed being shot with a blank at such close range.

Citas
Karol Karol: [to the man who wanted help committing suicide] That was a blank. The next one's real. Are you sure?

Conexiones
Featured in Siskel & Ebert & the Movies: Getting Even with Dad/Fear of a Black Hat/Wolf/White (1994)

Banda sonora
To ostatnia niedziela
Composed by Jerzy Petersburski and Z. Friedwald

Reseñas de usuarios137

Reseña destacada

6/10

An interesting and cynical study in revenge

Krzysztof Kieslowski's second of the Three Colors trilgy' "White" (1994), is a much more simple film than its predecessor, "Blue" (1993).

We follow Karol, who is divorced from Dominique, who cruelly attempts to hurt Karol in the worst ways possobly, especially considering her still loves her deeply.

Visually, it is almost as impressive a film as "Blue", also drawing on symbolism in its visual storytelling, and the acting is brilliant - particularly Julie Delpy portraying Dominique.

In spite of an interesting plot, I did not find the film to be nearly as touching as "Blue", but rather cruel in its message and execution.

For me, definitely a weaker film than its predecessor, but holding several qualities of its own. I wouldn't recommend anyone to see this as a must-see - especially from the trilogy.