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Sigue autobiográfica "The Reawakening" de Primo Levi.Sigue autobiográfica "The Reawakening" de Primo Levi.Sigue autobiográfica "The Reawakening" de Primo Levi.
- Premios
- 7 premios y 9 nominaciones en total
Tatyana Cherkasova
- Irina
- (as Tatyana Meshcherina)
Argumento
¿Sabías que...?
- CuriosidadesFinal film written and directed by Francesco Rosi.
- Citas
[last lines]
Primo Levi: [narrating] You who live secure in your warm houses, who return at evening to find hot food and friendly faces. Consider if this is a man who labors in the mud, who knows no peace, who fights for a crust of bread, who dies at a yes or a no. Meditate that this took place.
- ConexionesFeatured in The Movie Show: Episodio fechado 19 octubre 1997 (1997)
- Banda sonoraMadonina
Written by Giovanni D'Anzi (as G. D'Anzi)
Reseña destacada
I suppose everyone has seen one or more film representations of The Holocaust, but this one is different. It focuses not on the horror of the events themselves, rather, it's main thrust is struggle to return from the nightmare.
I liked the film for its apparent accuracy in location and the detail of what it was like for some of the Jews liberated from Auschwitz to find their way back to their homelands. Virtually helpless, the Jews in Primo Levi's autobiography embark on an odyssey that eventually gets them back to their homes -- at least some of them. All the more surprising is that Stalin's Soviet Union is their main benefactor throughout all of this. While this is supposed to be an autobiography, I have to wonder at some of the scenes, for example, when the train load of Jews arrives at the Munich main rail station, a former Werhmacht soldier kneels before them. In another, a Jew with barely enough food for himself, gives some bread to German POWs in Russia so that he can watch them fight over it. The irony is unmistakable.
Overall, I liked the film. It's one you have to see more than once because of all the detail. It's a bit difficult to follow the dialog in part, because much of it is in the language of the people who are represented: Poles, Russians, Ukrainians, French, Germans, Italians. Not only that, but the English dialog is accented and somewhat difficult to follow.
I intend to see it at least one or two more times in order to get the full effect of this very well done story.
I liked the film for its apparent accuracy in location and the detail of what it was like for some of the Jews liberated from Auschwitz to find their way back to their homelands. Virtually helpless, the Jews in Primo Levi's autobiography embark on an odyssey that eventually gets them back to their homes -- at least some of them. All the more surprising is that Stalin's Soviet Union is their main benefactor throughout all of this. While this is supposed to be an autobiography, I have to wonder at some of the scenes, for example, when the train load of Jews arrives at the Munich main rail station, a former Werhmacht soldier kneels before them. In another, a Jew with barely enough food for himself, gives some bread to German POWs in Russia so that he can watch them fight over it. The irony is unmistakable.
Overall, I liked the film. It's one you have to see more than once because of all the detail. It's a bit difficult to follow the dialog in part, because much of it is in the language of the people who are represented: Poles, Russians, Ukrainians, French, Germans, Italians. Not only that, but the English dialog is accented and somewhat difficult to follow.
I intend to see it at least one or two more times in order to get the full effect of this very well done story.
- JerryP-2
- 23 mar 2000
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Detalles
Taquilla
- Recaudación en Estados Unidos y Canadá
- 71.448 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 23.165 US$
- 26 abr 1998
- Duración2 horas 5 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1
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