PUNTUACIÓN EN IMDb
7,5/10
8,1 mil
TU PUNTUACIÓN
El famoso violagambista, Monsieur de Sainte Colombe, vuelve a casa y descubre que su esposa murió mientras él estaba fuera.El famoso violagambista, Monsieur de Sainte Colombe, vuelve a casa y descubre que su esposa murió mientras él estaba fuera.El famoso violagambista, Monsieur de Sainte Colombe, vuelve a casa y descubre que su esposa murió mientras él estaba fuera.
- Premios
- 9 premios y 8 nominaciones en total
Caroline Silhol
- Madame de Sainte Colombe
- (as Caroline Sihol)
Yves Gourvil
- Lequieu
- (voz)
Gilles Loutfi
- Le messager
- (sin acreditar)
Argumento
¿Sabías que...?
- CuriosidadesThe soundtrack album of Baroque music outsold Michael Jackson, upon its release in France, and outsold Madonna upon its release in the United States.
- PifiasThroughout the film the music-making is very poorly mimed.
- Citas
[last lines]
[in French, using English subtitles]
Monsieur de Sainte Colombe: I'm proud to have been your teacher. Please play me the air my daughter loved.
- ConexionesFeatured in The 50th Annual Golden Globe Awards (1993)
- Banda sonoraLes pleurs
Music by Sainte-Colombe
Reseña destacada
'Tous les matins du monde' is more an experience than a movie. The brainchild of director Alain Corneau, writer Pascal Quignard, and musician Jordi Savall this film integrates the visual with the historicodramatic and the music that created the idea and bathes it in the most sensuously beautiful cinematography of a period (the 17th century) by Yves Angelo who is given the sets and design and costumes by Bernard Vézat and Corinne Jorry that create image after image of masterful still life. The total integration of the work of these masters is the plinth on which the actors offer the memory of two famous composers in French classical music history.
Saint-Colombe (Jean-Pierre Marielle) is a viol player and composer whose wife (Caroline Sihol) dies young leaving him to raise his two daughters young Madeleine (Violaine Lacroix) and young Toinette (Nadège Teron)whom he teaches his art of viol de gamba performance while sequestering himself and his girls in the countryside. Into their garden comes the young handsome son of a shoemaker, Marin Marais (Guillaume Depardieu, the son of Gerard Depardieu) who commits to learning the viol and eventually becomes a court musician only to fall in love with Saint-Colombe's elder daughter Madeleine (Anne Brochet) whom he eventually leaves for the glories of the court. As an adult (Gérard Depardieu pere) he realizes his error and returns to the Saint-Colombe sanctuary where he learns the true meaning of music as being something beyond words and thus something beyond human.
In the course of this quiet little film and in the dramatic lighting of the production design we hear the music of Couperin, Lully, as well as compositions by Marais and Saint-Colombe. Jordi Savall supplies the incidental music that binds these works and offers the viol playing together with a talented group of musicians. The story is small, the dialogue sparse (primarily Depardieu pere narrating his experience as Marais) and for the novice the film could be slow. But the incandescent beauty both visually and aurally make this film a work of art that has not been equaled since its appearance on the scene in 1991. It is a treasure. Highly recommended. Grady Harp
Saint-Colombe (Jean-Pierre Marielle) is a viol player and composer whose wife (Caroline Sihol) dies young leaving him to raise his two daughters young Madeleine (Violaine Lacroix) and young Toinette (Nadège Teron)whom he teaches his art of viol de gamba performance while sequestering himself and his girls in the countryside. Into their garden comes the young handsome son of a shoemaker, Marin Marais (Guillaume Depardieu, the son of Gerard Depardieu) who commits to learning the viol and eventually becomes a court musician only to fall in love with Saint-Colombe's elder daughter Madeleine (Anne Brochet) whom he eventually leaves for the glories of the court. As an adult (Gérard Depardieu pere) he realizes his error and returns to the Saint-Colombe sanctuary where he learns the true meaning of music as being something beyond words and thus something beyond human.
In the course of this quiet little film and in the dramatic lighting of the production design we hear the music of Couperin, Lully, as well as compositions by Marais and Saint-Colombe. Jordi Savall supplies the incidental music that binds these works and offers the viol playing together with a talented group of musicians. The story is small, the dialogue sparse (primarily Depardieu pere narrating his experience as Marais) and for the novice the film could be slow. But the incandescent beauty both visually and aurally make this film a work of art that has not been equaled since its appearance on the scene in 1991. It is a treasure. Highly recommended. Grady Harp
- gradyharp
- 25 oct 2006
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- How long is Tous les matins du monde?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- País de origen
- Sitio oficial
- Idioma
- Títulos en diferentes países
- Tots els matins del món
- Localizaciones del rodaje
- Le Château de Bodeau, Rougnat, Creuse, Francia(Sainte-Colombe's castle)
- Empresas productoras
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Recaudación en Estados Unidos y Canadá
- 3.089.497 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 39.277 US$
- 15 nov 1992
- Recaudación en todo el mundo
- 3.089.497 US$
- Duración1 hora 55 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.66 : 1
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Principal laguna de datos
By what name was Todas las mañanas del mundo (1991) officially released in India in English?
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