Homicidio

Título original: Homicide: Life on the Street

Serie de TV
1993–1999
TV-14
1h

PUNTUACIÓN EN IMDb

8,7/10

16 mil

TU PUNTUACIÓN

POPULARIDAD

638

Michelle Forbes, Yaphet Kotto, Max Perlich, Kyle Secor, Richard Belzer, Andre Braugher, Reed Diamond, Clark Johnson, and Melissa Leo in Homicidio (1993)

Reproducir trailer0:34

72 vídeos

99+ imágenes

Cop Drama Police Procedural Crime Drama Mystery Thriller

Una unidad de homicidios de la policía investiga crímenes violentos en Baltimore.Una unidad de homicidios de la policía investiga crímenes violentos en Baltimore.Una unidad de homicidios de la policía investiga crímenes violentos en Baltimore.

Ver la información de la producción en IMDbPro

PUNTUACIÓN EN IMDb

8,7/10

16 mil

TU PUNTUACIÓN

POPULARIDAD

638

Ver la información de la producción en IMDbPro

Programa mejor puntuado #176

Ganó 4 premios Primetime Emmy
- 25 premios y 82 nominaciones en total

Episodios122

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DestacadoMejor puntuado7 temporadas7 años

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Argumento

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Curiosidades
In 1988, Baltimore Sun reporter David Simon joined the Baltimore Police Homicide Unit as a civilian assistant in order to chronicle a year in the life of a big-city homicide squad. His extensive notes, interviews, and observations were eventually published as the book, "Homicide: A Year on the Killing Streets." This book served as the inspiration for the TV series Homicidio (1993). Much of the first and second seasons are taken from actual events recounted in the book.

Pifias
In a number of episodes, in-vehicle shots with a "back seat" perspective often show that the vehicle being filmed in is in fact a Chrysler-produced sedan. Note the older star-in-pentagon emblem on the steering wheel instead of the Chevy Cavaliers that the detectives drive. This is likely due to the lower headroom in the Cavalier, making it difficult to film that perspective.

Citas
Det. Frank Pembleton: You know, every day I get out of bed and drag myself to the next cup of coffee. I take a sip and the caffeine kicks in. I can focus my eyes again. My brain starts to order the day. I'm up, I'm alive. I'm ready to rock. But the time is coming when I wake up and decide that I'm not getting out of bed. Not for coffee, or food or sex. If it comes to me, fine. If it won't, fine. No more expectations. The longer I live, the less I know. I should know more. I should know the coffee's killing me. You're suspicious of your suspicions? I'm jealous, Kay; I'm so jealous. You still have the heart to have doubts. Me? I'm going to lock up a 14-year-old kid for what could be the rest of his natural life. I got to do this. This is my job. This is the deal. This is the law. This is my day. I have no doubts or suspicions about it. Heart has nothing to do with it any more. It's all in the caffeine.

Conexiones
Featured in The 45th Annual Primetime Emmy Awards (1993)

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Comentarios

Reseña destacada

Are my comments needed?

We all agree this was probably the best crime series ever made, despite NBC's reluctance to support and promote it. This was TV acting, scripting, and directing at it's best.

What the public could not accept, was that the stories did not have neat endings. Life, and crime stories are messy. The show reflected that. And I'm grateful for it's honesty.

On the other hand, I'm grateful they allowed the show to have a movie that ended several major story lines. At the end of it all, we needed closure, even it some of the endings weren't "happy endings". That in itself showed the quality - the truth of this show.

Fiction can be truthful, and "real". This was the best example . And NBC should hang it's head in shame for the way it treated it. I'm glad that "Munch" still lives on Law & Order SVU, but it's a shadow of a great character in a great show.

On TV you take what you get.