Acero azul

This film begins well enough, building to what looks like being a promising study of a psychopath pitted against a feisty, but vulnerable, policewoman. Drawing on fear as a driver of eroticism, the unlikely relationship between Curtis and Silver develops to the edge of what might have been a great film. But sadly, at the halfway point, the story becomes unbelievable as both characters undertake actions that render the plot risible.

Silver turns in an impressive performance as the deranged commodity trader and Curtis plays it adequately enough. But neither can do anything to save the plot line and the whole thing ends in a mess, with the hardware of weaponry taking over from the software of psychology that would have provided a far more intelligent film.