Un hombre regresa a su apartamento subarrendado y encuentra a las anteriores inquilinas, tres jóvenes excéntricas, todavía en la residencia, bajo la creencia errónea de que tienen el apartam... Leer todoUn hombre regresa a su apartamento subarrendado y encuentra a las anteriores inquilinas, tres jóvenes excéntricas, todavía en la residencia, bajo la creencia errónea de que tienen el apartamento hasta el final del día de Año Nuevo.Un hombre regresa a su apartamento subarrendado y encuentra a las anteriores inquilinas, tres jóvenes excéntricas, todavía en la residencia, bajo la creencia errónea de que tienen el apartamento hasta el final del día de Año Nuevo.
- Premios
- 1 nominación en total
Maggie Wheeler
- Lucy
- (as Maggie Jakobson)
Argumento
¿Sabías que...?
- CuriosidadesThe "screenplay" for this film famously consisted of one mass, visually daunting flow-chart of ideas circled and connected to each other (in the center of this mass of ideas was written "New Year's Day (Time to Move On)". Typical to Jaglom's style, the actors improvised all the dialogue.
- Créditos adicionalesThe end credits play over the character of Drew watching the videotape of Lucy playing with the dolphins. Note: A copy of Jaglom's mentor Orson Welles' biography is clearly visible.
- ConexionesFeatured in ¿Quién es Henry Jaglom? (1995)
- Banda sonoraIt's a Most Unusual Day
Performed by Doris Day
Reseña destacada
New Years Day isn't a terribly good movie, but somehow, it's still endearing.
Starring a cast of no names, and an awful early performance by David Duchovny (as well as rather good Milos Forman), New Years Day tells the story of 3 young women about to move out of an apartment they have shared for years, and the man who is moving in. the four spend new years day together, (psychoanalyzing each other) because of a misunderstanding of what the meaning of "through January first."
The film has a decent set up, and other than Duchovny, the acting is all solid.
However, director and star Henry Jaglom apparently doesn't do scripts, he does giant flow charts. Consequently, his actors are forced to improvise, and generally become defined more by their bundles of neuroses than by any redeeming aspects.
Case and point for this affliction is a character who spends the entirety of the film's third act, where the girls throw a going away party, explaining repeatedly that he avoids the pitfalls of sleeping with his psychoanalysis patients by sleeping with them first, then becoming their doctor. The joke is cute the first time, but by the 4th time it has been told, no one cares anymore.
The movie is rife with moments like this. The worst of which is a suicide attempt that seems not only unrealistic, but also to have been included because without the scene the suicide attemptee would have absolutely no motivation or purpose within the story.
All the same, there is some definite underlying charm to much of it. Jaglom gives a wonderful opening and closing monologue giving the film, which otherwise just sort of starts and stops, a feeling of closure and weight. And the improvised dialogue is largely successful in creating a naturalistic atmosphere. However, if you don't already buy into the concept of Feud, Jung and Psycho Analytical theory, you will probably spend much of the film rolling your eyes.
If you just love Woody Allen and Robert Altman but have already seen all of their films, or just can't get enough stories about mediocre looking Jewish men discussing philosophy and becoming intimate with attractive women half their age, New Years Day is the film for you.
For everyone else, it's good, but not great, a little self important, and ultimately pointless.
For more reviews visit www.collider.com
Starring a cast of no names, and an awful early performance by David Duchovny (as well as rather good Milos Forman), New Years Day tells the story of 3 young women about to move out of an apartment they have shared for years, and the man who is moving in. the four spend new years day together, (psychoanalyzing each other) because of a misunderstanding of what the meaning of "through January first."
The film has a decent set up, and other than Duchovny, the acting is all solid.
However, director and star Henry Jaglom apparently doesn't do scripts, he does giant flow charts. Consequently, his actors are forced to improvise, and generally become defined more by their bundles of neuroses than by any redeeming aspects.
Case and point for this affliction is a character who spends the entirety of the film's third act, where the girls throw a going away party, explaining repeatedly that he avoids the pitfalls of sleeping with his psychoanalysis patients by sleeping with them first, then becoming their doctor. The joke is cute the first time, but by the 4th time it has been told, no one cares anymore.
The movie is rife with moments like this. The worst of which is a suicide attempt that seems not only unrealistic, but also to have been included because without the scene the suicide attemptee would have absolutely no motivation or purpose within the story.
All the same, there is some definite underlying charm to much of it. Jaglom gives a wonderful opening and closing monologue giving the film, which otherwise just sort of starts and stops, a feeling of closure and weight. And the improvised dialogue is largely successful in creating a naturalistic atmosphere. However, if you don't already buy into the concept of Feud, Jung and Psycho Analytical theory, you will probably spend much of the film rolling your eyes.
If you just love Woody Allen and Robert Altman but have already seen all of their films, or just can't get enough stories about mediocre looking Jewish men discussing philosophy and becoming intimate with attractive women half their age, New Years Day is the film for you.
For everyone else, it's good, but not great, a little self important, and ultimately pointless.
For more reviews visit www.collider.com
- tawdry_hepburn
- 25 jun 2008
- Enlace permanente
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- How long is New Year's Day?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- País de origen
- Idioma
- Títulos en diferentes países
- Neujahr in New York
- Localizaciones del rodaje
- Empresas productoras
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Recaudación en Estados Unidos y Canadá
- 36.106 US$
- Recaudación en todo el mundo
- 36.106 US$
- Duración1 hora 28 minutos
- Color
- Relación de aspecto
- 1.85 : 1
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Principal laguna de datos
By what name was New Year's Day (1989) officially released in India in English?
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