Camino de retorno

Dennis Hopper's go-for-broke-on-a-slim-budget black comedy about a hit-man falling for his target, a strange but alluring young woman who makes pop art out of neon signs. I enjoyed bits of "Backtrack" (see that, not the butchered European print entitled "Catchfire") such as the gorgeous theater in New Mexico where Jodie Foster hides out or the funny scene where she's pacing around in the bathroom, trying to decide how far she should go with her pervy kidnapper. Unfortunately, the knockabout editing leaves the film feeling somewhat disjointed and the actors are occasionally encouraged to just wing it, but without funny results. I didn't mind the ending--I was hoping for an upbeat one--but these characters don't turn out to be particularly smart people. They're dizzy, lustful little cyphers, and they might've been more engaging if they'd been written with brains.