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Irish writer Hugh Leonard has made a career out of coming to terms with his father's death, writing first a book and then a theatrical play about the experience, and now a screen adaptation of the same play, each of them an unashamedly sentimental vehicle for his memories of the proud but playful old man. Of the three it probably works best on screen, where the episodic timeline and playful unreality of the script are better served by creative editing, and by some handsome location photography (in the Irish seaside village of Dalkey). Martin Sheen, fatally miscast, portrays the expatriate Irishman who returns to the Shamrock Shores to bury the body and memory of his father, but not before trading some serio-comic banter with the old man's spirit and reviewing with him the key episodes of their life together. The screen version makes little attempt to camouflage the awkward stage dialogue, but does at least serve it with a gentle air of whimsy and plenty of local brogue. Barnard Hughes recreates his award-winning performance in the title role, but the entire cast is upstaged by a pet dog with an aversion to the Catholic Church.