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Parodia de cine negro con un detective que descubre una trama siniestra. Los personajes del cine negro real aparecen a medida que se intercalan escenas de varias películas.Parodia de cine negro con un detective que descubre una trama siniestra. Los personajes del cine negro real aparecen a medida que se intercalan escenas de varias películas.Parodia de cine negro con un detective que descubre una trama siniestra. Los personajes del cine negro real aparecen a medida que se intercalan escenas de varias películas.
Alan Ladd
- The Exterminator
- (metraje de archivo)
Barbara Stanwyck
- Leona Hastings-Forrest
- (metraje de archivo)
Ray Milland
- Sam Hastings (in 'Lost Weekend')
- (metraje de archivo)
Ava Gardner
- Kitty Collins
- (metraje de archivo)
Burt Lancaster
- Swede Anderson
- (metraje de archivo)
Humphrey Bogart
- Phillip Marlowe
- (metraje de archivo)
Cary Grant
- Johnnie Aysgarth
- (metraje de archivo)
Ingrid Bergman
- F.X. Huberman
- (metraje de archivo)
Veronica Lake
- Monica Stillpond
- (metraje de archivo)
Bette Davis
- Doris Davermont
- (metraje de archivo)
Lana Turner
- Jimmi-Sue Altfeld
- (metraje de archivo)
Edward Arnold
- Altfeld
- (metraje de archivo)
Kirk Douglas
- Thug Boss
- (metraje de archivo)
Fred MacMurray
- Walter Neff
- (metraje de archivo)
James Cagney
- Captain Cody Jarrett
- (metraje de archivo)
Argumento
¿Sabías que...?
- CuriosidadesFinal film of legendary costume designer Edith Head. There is a tribute to her and the personnel who worked on films from the Golden Age of Hollywood in the closing credits. Head died on 24 October 1981, a short time after production on the movie had wrapped. Fittingly, the film features many of her earlier designs in cleverly edited clips from old movies. According to Carl Reiner, Head had possession of a hat that Ava Gardner had worn and was protective of the prop. She designed a total of 20 suits to be worn by Steve Martin, in the style of those worn by Cary Grant and James Stewart during their classic-era Hollywood pictures.
- PifiasWhen Rigby is talking on Juliet's phone to her sister Leona, the handset and coiled cord to the phone are from the 1960's-80's, and not the straight cloth-covered phone cords in use in the 1940's when the story is taking place.
- Citas
[In Rigby's office]
Juliet Forrest: If you need me, just call. You know how to dial, don't you? You just put your finger in the hole and make tiny little circles.
- Créditos adicionalesAfter the Cast there comes the dedication: Dead Men Don't Wear Plaid was Edith Head's final film. To her, and to all the brilliant technical and creative people who worked on the films of the 1940's and 1950's, this motion picture is affectionately dedicated.
- ConexionesEdited from Sospecha (1941)
Reseña destacada
I first saw this in the theater with my dad, at the age of 13, when it was first released - he was a huge fan of classic movies and usually suffered through the stuff he took me to. Not this one - we were both in hysterics, and I'd have to say I owe my huge love of classic Hollywood (and global) cinema to this film. CITIZEN KANE it may not be but no matter - I dug the humor and the atmosphere at the time, and even then was aware of how much work this must have been.
I still watch this one on occasion, and it is the rare comedy that has held up very well with the passage of time - critics at the time seemed to write it off as a stunt, but I've noted that at least a little reevaluation of DEAD MEN DON'T WEAR PLAID has occurred over the years. The performances - as both a spoof and a love-letter to film noir - are top notch, with Steve Martin at his best here. The dialog gets deep into Raymond Chandler/Dashiell Hammett hard-boiled private-eye stylishness, serving up gumshoe-with-dame clichés just juiced up enough to give Steve something to run with, while still offering an a solid story. The finale is magnificent, Martin and Carl Reiner jousting their way through an avalanche of every two-bit dime-store whodunnit game-over cliché to ever grace the big screen, cheap alibis falling like drunken angels across the naked city as the big heat descends... Or - ahem -something like that...
I still watch this one on occasion, and it is the rare comedy that has held up very well with the passage of time - critics at the time seemed to write it off as a stunt, but I've noted that at least a little reevaluation of DEAD MEN DON'T WEAR PLAID has occurred over the years. The performances - as both a spoof and a love-letter to film noir - are top notch, with Steve Martin at his best here. The dialog gets deep into Raymond Chandler/Dashiell Hammett hard-boiled private-eye stylishness, serving up gumshoe-with-dame clichés just juiced up enough to give Steve something to run with, while still offering an a solid story. The finale is magnificent, Martin and Carl Reiner jousting their way through an avalanche of every two-bit dime-store whodunnit game-over cliché to ever grace the big screen, cheap alibis falling like drunken angels across the naked city as the big heat descends... Or - ahem -something like that...
- davidals
- 15 sept 2003
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- How long is Dead Men Don't Wear Plaid?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- País de origen
- Idioma
- Títulos en diferentes países
- Dead Men Don't Wear Plaid
- Localizaciones del rodaje
- Empresas productoras
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Presupuesto
- 9.000.000 US$ (estimación)
- Recaudación en Estados Unidos y Canadá
- 18.196.170 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 4.289.601 US$
- 23 may 1982
- Recaudación en todo el mundo
- 18.196.170 US$
- Duración1 hora 28 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1
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By what name was Cliente muerto no paga (1982) officially released in India in English?
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