PUNTUACIÓN EN IMDb
6,8/10
13 mil
TU PUNTUACIÓN
Un empleado de un contratista militar y su amigo de la infancia traficante de drogas, quienes se convirtieron en espías de la Unión Soviética.Un empleado de un contratista militar y su amigo de la infancia traficante de drogas, quienes se convirtieron en espías de la Unión Soviética.Un empleado de un contratista militar y su amigo de la infancia traficante de drogas, quienes se convirtieron en espías de la Unión Soviética.
- Premios
- 1 nominación en total
Art Camacho
- Boyce Child
- (as Arturo Comacho)
Argumento
¿Sabías que...?
- CuriosidadesAccording to Christopher Boyce, the employees in the Black Vault actually did use the paper shredder to blend margaritas.
- Citas
[explaining why he didn't express his unhappiness with the CIA in a more acceptable manner]
Christopher Boyce: It wouldn't have made a difference. I freely chose my response to this absurd world. If given the opportunity, I would have been more vigorous.
- Versiones alternativasDue to music licensing issues, most modern home video and streaming releases of the film remove almost all of the pop songs. Only the David Bowie song over the end credits and "All Right Now" by Free remain in this version of the film.
- ConexionesEdited into Captain Midnight Broadcast Signal Intrusion (1986)
Reseña destacada
I think some critic somewhere said this film fell short of being a great film, but was a very good one. That's accurate, you are left wanting to know more. The best performance comes from David Suchet as a sardonic and frequently supercilious Russian. The film commendably avoids trying to make us empaphise with traitors and even manages some humour in all the madness. In one blink or you'll miss it scene, Daulton infiltrates an embassy function where he speaks to a foreign diplomat. "Is this the usual garb of your countrymen?" He asks. "Yes, it's garbage" the man replies.
The film appears open minded about whether Boyce is an idealist or an opportunist who fails to realise the significance of his actions. His confession of having received payment from the Soviets and his cynical dismissing of money as 'never being very important to me' suggests a more amoral stance, but his other remarks perhaps reveal a more complex and sincere character. Boyce seems to be suggesting that any leap forward in technology must also go hand in hand with an equal quantitative one in morality. But I think it was Einstien who said that the bomb has changed everything except the way man thinks. This suggests that Boyce's weary indifference while being interviewed was due to his realisation that this moral leap was beyond man and therefore there was no hope, we are doomed to extinction. All political and religious life had been rendered meaningless to him due to the impermanence of man in the face of super-technology. This may account for his reluctance to recite the 'valley of death' speech to his father, as he knew full well that it's message was also meaningless in the context of modern warfare. No-one, not even the generals would be left standing. Boyce then, was possibly suffering a certain existential despair, as he stated America was the first country to use nuclear weapons. His concern that his betrayal meant little because we are already in jeopardy is even more pertinent today, with more and more countries either acquiring or seeking to acquire nuclear technology. It's rather like a group of toddlers playing with a grenade, passing it around. Say you were to add more grenades, would you then increase the likelihood of an accident such as the pulling out of a pin?
This rare political film asks a more broad and philosophical question, perhaps. If Boyce says he knows something about predatory behaviour (and the film is full of big fish eating little fish motifs) and left the church because he has decided that man is not divine and just another animal, where does that leave man if he cannot ultimately change his nature? The film does not leave you with an answer, merely the fear on the faces of uncomprehending parents and the unseen spectre of a mushroom cloud.
The film appears open minded about whether Boyce is an idealist or an opportunist who fails to realise the significance of his actions. His confession of having received payment from the Soviets and his cynical dismissing of money as 'never being very important to me' suggests a more amoral stance, but his other remarks perhaps reveal a more complex and sincere character. Boyce seems to be suggesting that any leap forward in technology must also go hand in hand with an equal quantitative one in morality. But I think it was Einstien who said that the bomb has changed everything except the way man thinks. This suggests that Boyce's weary indifference while being interviewed was due to his realisation that this moral leap was beyond man and therefore there was no hope, we are doomed to extinction. All political and religious life had been rendered meaningless to him due to the impermanence of man in the face of super-technology. This may account for his reluctance to recite the 'valley of death' speech to his father, as he knew full well that it's message was also meaningless in the context of modern warfare. No-one, not even the generals would be left standing. Boyce then, was possibly suffering a certain existential despair, as he stated America was the first country to use nuclear weapons. His concern that his betrayal meant little because we are already in jeopardy is even more pertinent today, with more and more countries either acquiring or seeking to acquire nuclear technology. It's rather like a group of toddlers playing with a grenade, passing it around. Say you were to add more grenades, would you then increase the likelihood of an accident such as the pulling out of a pin?
This rare political film asks a more broad and philosophical question, perhaps. If Boyce says he knows something about predatory behaviour (and the film is full of big fish eating little fish motifs) and left the church because he has decided that man is not divine and just another animal, where does that leave man if he cannot ultimately change his nature? The film does not leave you with an answer, merely the fear on the faces of uncomprehending parents and the unseen spectre of a mushroom cloud.
- Gary-161
- 20 oct 2000
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Detalles
- Fecha de lanzamiento
- Países de origen
- Idiomas
- Títulos en diferentes países
- The Falcon and the Snowman
- Localizaciones del rodaje
- Empresas productoras
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Presupuesto
- 12.000.000 US$ (estimación)
- Recaudación en Estados Unidos y Canadá
- 17.130.087 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 2.358.846 US$
- 27 ene 1985
- Recaudación en todo el mundo
- 17.130.087 US$
- Duración2 horas 11 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1
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By what name was El juego del halcón (1985) officially released in India in English?
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