PUNTUACIÓN EN IMDb
7,0/10
3 mil
TU PUNTUACIÓN
Añade un argumento en tu idiomaSouth Bronx graffiti artist Zoro is commissioned to paint a backdrop for a hip-hop concert.South Bronx graffiti artist Zoro is commissioned to paint a backdrop for a hip-hop concert.South Bronx graffiti artist Zoro is commissioned to paint a backdrop for a hip-hop concert.
Lee Quiñones
- Raymond 'Zoro'
- (as 'Lee' George Quinones)
Lady Pink
- Rose 'Lady Bug'
- (as Sandra 'Pink' Fabara)
Fab 5 Freddy
- 'Phade'
- (as Frederick Braithwaite)
Andrew Witten
- Z-Roc
- (as Zephyr)
William Rice
- Television Producer
- (as Bill Rice)
Daze
- Union Crew
- (as Chris 'Daze' Ellis)
Argumento
¿Sabías que...?
- CuriosidadesThe stick-up guys were cast when Charlie Ahearn saw them hanging around the location. Ahearn offered them a prop gun but they insisted on using their real sawed-off shotgun. All of their lines were improvised.
- PifiasAt 6:18 Hector tells Raymond 'Zoro' to take off his do-rag. Then Ray's hair pops back and forth between being flat from the do-rag to a picked out Afro during their conversation.
- ConexionesEdited into And You Don't Stop: 30 Years of Hip-Hop (2004)
Reseña destacada
Legendary New York graffiti artist Lee Quinones plays the part of Zoro, the city's hottest and most elusive graffiti writer. The actual story of the movie concerns the tension between Zoro's passion for his art and his personal life, particularly his strained relationship with fellow artist Rose.
Director Charlie Ahearn was approached by graffiti artist Fred Braithwaite, later known as Fab 5 Freddy, who wanted to make a film about hip-hop (as a broad culture encompassing emceeing, DJing, graffiti and break-dancing) and graffiti as an art form. Braithwaite was an acquaintance of Lee Quiñones, whom Ahearn had long-wanted to film and whose murals he has always admired. Braithwaite brought Quiñones in to meet Ahearn and the three began discussions about creating a hip-hop movie.
As a film, this movie is pretty lacking -- the plot is weak, and the acting is completely awful. But that was never the point. With most of the characters ad libbing their lines and actually being real life hip hop and graffiti artists, this almost serves as a pseudo-documentary. Probably no other film better captures the rise of hip hop than "Wild Style".
Director Charlie Ahearn was approached by graffiti artist Fred Braithwaite, later known as Fab 5 Freddy, who wanted to make a film about hip-hop (as a broad culture encompassing emceeing, DJing, graffiti and break-dancing) and graffiti as an art form. Braithwaite was an acquaintance of Lee Quiñones, whom Ahearn had long-wanted to film and whose murals he has always admired. Braithwaite brought Quiñones in to meet Ahearn and the three began discussions about creating a hip-hop movie.
As a film, this movie is pretty lacking -- the plot is weak, and the acting is completely awful. But that was never the point. With most of the characters ad libbing their lines and actually being real life hip hop and graffiti artists, this almost serves as a pseudo-documentary. Probably no other film better captures the rise of hip hop than "Wild Style".
- gavin6942
- 17 may 2016
- Enlace permanente
Selecciones populares
Inicia sesión para calificar y añadir a tu lista para recibir recomendaciones personalizadas
- How long is Wild Style?Con tecnología de Alexa
Detalles
Taquilla
- Recaudación en todo el mundo
- 4948 US$
Contribuir a esta página
Sugerir un cambio o añadir el contenido que falta
Principal laguna de datos
By what name was Estilo salvaje (1982) officially released in Canada in English?
Responde