Después de ganar el concurso de "Más Virgen", Miss Canadá, se casa con un rico magnate de la leche. Pero rápidamente huye del matrimonio para experimentar el mundo que la rodea, lleno de dul... Leer todoDespués de ganar el concurso de "Más Virgen", Miss Canadá, se casa con un rico magnate de la leche. Pero rápidamente huye del matrimonio para experimentar el mundo que la rodea, lleno de dulzura y anarquía.Después de ganar el concurso de "Más Virgen", Miss Canadá, se casa con un rico magnate de la leche. Pero rápidamente huye del matrimonio para experimentar el mundo que la rodea, lleno de dulzura y anarquía.
Argumento
¿Sabías que...?
- CuriosidadesBecause of her role in the film, Anna Prucnal was exiled from her native Poland for 7 years. The government even denied her a visa to see her dying mother.
- Citas
Miss Monde 1984: [after a less-than-satisfying honeymoon with Mr. Kapital] I expected something else to happen.
PDG: Nonsense, he's the most powerful millionaire in the world!
Lawyer: I think that for your own good, you better forget this marriage.
Miss Monde 1984: Then I think I should get alimony.
Lawyer: I advise you strongly to refrain from thinking anything.
PDG: Yes, thinking can sometimes be a very dangerous exercise.
Lawyer: Very dangerous, indeed.
Miss Monde 1984: This is insane!
PDG: Yes, maybe we should ask for a psychiatric examination.
Lawyer: There are people with similar symptoms, they become confused. They spend the rest of their lives behind the walls... of asylums!
[pushes Miss Monde into the pool]
- ConexionesEdited from Pitsi (1946)
- Banda sonoraLes enfants dans les champs
Music and Lyrics by Manos Hatzidakis (as Manos Hadjidakis)
Performed by Maria Katira
I've just watched it, and besides some symbolism (repressed/sheltered life vs "liberation"), I'm not going to champion the film as having some deep meaning behind it. There is an evident juxtaposition of innocence (Miss Virginity) and the surreal messed up journey she embarks on and the abuse she has to endure, along with interspersed Holocaust footage and a parallel tale of a supposedly Communist woman and her deviant activities and relationship with a fellow revolutionary. What ensues are scenes that are designed to shock, but Makavejev would probably say that he wanted to "Freudian out" with it. Despite the plethora of shock scenes, there are definitely humorous parts and it's all done in a lighthearted manner to me).
I didn't think it was great, as it was too much of an amalgamation with no strong substance, but it still works for what it was (see above) and besides being offbeat it had an inviting festive vibe (combined with the exploitation!). I suppose art-house exploitation is a proper title.
- dead-valley
- 29 nov 2006
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Detalles
- Fecha de lanzamiento
- Países de origen
- Idiomas
- Títulos en diferentes países
- Tatlı Bir Film
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- Empresas productoras
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- Presupuesto
- 700.000 CAD (estimación)
- Duración1 hora 38 minutos
- Mezcla de sonido
- Relación de aspecto
- 1.66 : 1