Un oficial del ejército estadounidense que sirve en Vietnam recibe el encargo de asesinar a un coronel renegado de las fuerzas especiales que se ve a sí mismo como un dios.Un oficial del ejército estadounidense que sirve en Vietnam recibe el encargo de asesinar a un coronel renegado de las fuerzas especiales que se ve a sí mismo como un dios.Un oficial del ejército estadounidense que sirve en Vietnam recibe el encargo de asesinar a un coronel renegado de las fuerzas especiales que se ve a sí mismo como un dios.
- Ganó 2 premios Óscar
- 21 premios y 33 nominaciones en total
Laurence Fishburne
- GM3 Tyrone 'Clean' Miller
- (as Larry Fishburne)
Argumento
¿Sabías que...?
- CuriosidadesMore than a year had passed between the filming of Willard and Chef searching the jungle for mangoes and encountering the tiger, and the immediately following shots (part of the same scene) of Chef clambering back onto the boat, ripping off his shirt and screaming.
- PifiasWhen Captain Willard first meets Colonel Kilgore, they exchange salutes while they are still in a combat zone. It is usually military protocol not to salute in a combat zone. Saluting would show a possible sniper who the commanding officer is. (e.g. in Forrest Gump (1994) Lt. Dan correctly instructed Gump and Bubba not to salute him in the field.)
- Créditos adicionalesThere are no opening credits in the film. The title can be seen as graffiti in the Kurtz compound late in the film.
- Versiones alternativasThe theatrical and Redux DVDs released by Paramount Pictures and Lions Gate Studios in the United States, as well as the earlier letterbox VHS and LaserDisc releases, were re-framed in DP Vittorio Storaro's preferred 2.00:1 "Univision" format. The Lions Gate US Blu-ray release, however, restores the film's original 2.39:1 aspect ratio (although the packaging reads 2.35:1).
- ConexionesEdited into Apocalypse Pooh (1987)
- Banda sonoraThe End
by Jim Morrison (as The Doors), Ray Manzarek (as The Doors), Robby Krieger (as The Doors), and John Densmore (as The Doors)
Performed by The Doors
Courtesy of Elektra/Asylum Records
Reseña destacada
I first saw APOCALYPSE NOW in 1985 when it was broadcast on British television for the first time . I was shell shocked after seeing this masterpiece and despite some close competition from the likes of FELLOWSHIP OF THE RING this movie still remains my all time favourite nearly 20 years after I first saw it
This leads to the problem of how I can even begin to comment on the movie . I could praise the technical aspects especially the sound , editing and cinematography but everyone else seems to have praised ( Rightly too ) these achievements to high heaven while the performances in general and Robert Duvall in particular have also been noted , and everyone else has mentioned the stark imagery of the Dou Long bridge and the montage of the boat traveling upriver after passing through the border
How about the script ? Francis Ford Coppola is best known as a director but he's everyway a genius as a screenwriter as he was as a director , I said " was " in the past tense because making this movie seems to have burned out every creative brain cell in his head , but his sacrifice was worth it . In John Milius original solo draft we have a script that's just as insane and disturbing as the one on screen , but Coppola's involvement in the screenplay has injected a narrative that exactly mirrors that of war . Check how the screenplay starts off all jingoistic and macho with a star turn by Bill Kilgore who wouldn't have looked out of place in THE GREEN BERETS but the more the story progresses the more shocking and insane everything becomes , so much so that by the time reaches Kurtz outpost the audience are watching another film in much the same way as the characters have sailed into another dimension . When Coppola states " This movie isn't about Vietnam - It is Vietnam " he's right . What started off as a patriotic war to defeat communist aggression in the mid 1960s had by the film's setting ( The Manson trial suggests it's 1970 ) had changed America's view of both the world and itself and of the world's view of America
It's the insane beauty of APOCALYPSE NOW that makes it a masterwork of cinema and says more in its running time about the brutality of conflict and the hypocrisy of politicians ( What did you do in the Vietnam War Mr President ? ) than Michael Moore could hope to say in a lifetime . I've not seen the REDUX version but watching the original print I didn't feel there was anything missing from the story which like all truly great films is very basic . In fact the premise can lend itself to many other genres like a western where an army officer has to track down and kill a renegade colonel who's leading an injun war party , or a sci-fi movie where a UN assassin is to eliminate a fellow UN soldier who's leading a resistance movement on Mars , though this is probably down to Joseph Conrad's original source novel
My all time favourite movie and it's very fitting that I chose this movie to be my one thousandth review at the IMDb
This leads to the problem of how I can even begin to comment on the movie . I could praise the technical aspects especially the sound , editing and cinematography but everyone else seems to have praised ( Rightly too ) these achievements to high heaven while the performances in general and Robert Duvall in particular have also been noted , and everyone else has mentioned the stark imagery of the Dou Long bridge and the montage of the boat traveling upriver after passing through the border
How about the script ? Francis Ford Coppola is best known as a director but he's everyway a genius as a screenwriter as he was as a director , I said " was " in the past tense because making this movie seems to have burned out every creative brain cell in his head , but his sacrifice was worth it . In John Milius original solo draft we have a script that's just as insane and disturbing as the one on screen , but Coppola's involvement in the screenplay has injected a narrative that exactly mirrors that of war . Check how the screenplay starts off all jingoistic and macho with a star turn by Bill Kilgore who wouldn't have looked out of place in THE GREEN BERETS but the more the story progresses the more shocking and insane everything becomes , so much so that by the time reaches Kurtz outpost the audience are watching another film in much the same way as the characters have sailed into another dimension . When Coppola states " This movie isn't about Vietnam - It is Vietnam " he's right . What started off as a patriotic war to defeat communist aggression in the mid 1960s had by the film's setting ( The Manson trial suggests it's 1970 ) had changed America's view of both the world and itself and of the world's view of America
It's the insane beauty of APOCALYPSE NOW that makes it a masterwork of cinema and says more in its running time about the brutality of conflict and the hypocrisy of politicians ( What did you do in the Vietnam War Mr President ? ) than Michael Moore could hope to say in a lifetime . I've not seen the REDUX version but watching the original print I didn't feel there was anything missing from the story which like all truly great films is very basic . In fact the premise can lend itself to many other genres like a western where an army officer has to track down and kill a renegade colonel who's leading an injun war party , or a sci-fi movie where a UN assassin is to eliminate a fellow UN soldier who's leading a resistance movement on Mars , though this is probably down to Joseph Conrad's original source novel
My all time favourite movie and it's very fitting that I chose this movie to be my one thousandth review at the IMDb
- Theo Robertson
- 22 jun 2004
- Enlace permanente
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Detalles
- Fecha de lanzamiento
- País de origen
- Sitios oficiales
- Idiomas
- Títulos en diferentes países
- Apocalipsis ahora
- Localizaciones del rodaje
- Baler Bay, Baler, Aurora, Filipinas(beach with soldiers surfing)
- Empresas productoras
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Presupuesto
- 31.500.000 US$ (estimación)
- Recaudación en Estados Unidos y Canadá
- 96.042.913 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 118.558 US$
- 19 ago 1979
- Recaudación en todo el mundo
- 105.086.099 US$
- Duración2 horas 27 minutos
- Relación de aspecto
- 2.39 : 1
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Principal laguna de datos
What is the streaming release date of Apocalypse Now (1979) in Canada?
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