I found this to be an interesting and insightful portrayal of the different strata of American society, and how flexible and inflexible they can be when confronted with issues they MUST deal with. It's a wedding for Christ's sake! Can't miss that! I think it's beautiful that Altman, borrowing heavily from various forms of Commedia dell'Arte, tragic plays of Shakespeare, and other classic literary works, uses a wedding to create the tensions throughout the film. Remember, this is the bride and groom's special occasion, yet everyone else seems so put out and upset with having to deal with one another, as if they are the ones going through with the ceremony, that they will be the ones marrying each another. In today's world, this is an absurd notion, and Altman knows it. You get the feeling he really enjoys watching this all-american, suburban family cringe at the idea of being married to the mob, though all of them know this is probably the last time they all be together. He's always had such a cynical view of the nuclear family. This would really be one of Altman's best films if it wasn't for the silly pretentiousness of some of the roles, especially Mia Farrow's. I must admit that I love the ending, which most people I know hate.
