PUNTUACIÓN EN IMDb
6,6/10
5,6 mil
TU PUNTUACIÓN
Un viajero llamado Crossley entra en la casa de un músico y su esposa en una parte solitaria de Devon, y utiliza la magia aborigen que ha aprendido para desplazar a su anfitrión.Un viajero llamado Crossley entra en la casa de un músico y su esposa en una parte solitaria de Devon, y utiliza la magia aborigen que ha aprendido para desplazar a su anfitrión.Un viajero llamado Crossley entra en la casa de un músico y su esposa en una parte solitaria de Devon, y utiliza la magia aborigen que ha aprendido para desplazar a su anfitrión.
- Premios
- 1 premio y 1 nominación en total
Graham Kingsley Brown
- Village Churchgoer
- (sin acreditar)
Joanna Szczerbic
- Cricket Umpire
- (sin acreditar)
Argumento
¿Sabías que...?
- CuriosidadesThis movie was notable for its time, for its use of an electronic and avant-garde music score, which, when heard in theaters in Dolby Stereo, was aurally separating and distorting. Reportedly, forty different music tracks were used for the sound.
- Citas
Charles Crossley: Get out of here Anthony, or I'll shout your bloody ears off.
- ConexionesFeatured in El irlandés (2011)
Reseña destacada
During a cricket game in the grounds of an asylum, patient Charles Crossley is telling a story to his opposite scorekeeper Robert. He tells of how he came across musician Anthony Fielding outside church one day, and he invited back home for dinner. Over dinner he tells Anthony and his wife Rachael that of his last two decades of living in the Australian outback, where he learned many spells from the aboriginal witch doctors and one being the shout. It can cause instant death when heard. Soon Charles settles into the homestead, where he has Anthony and Rachael under his thumb, as he fears him and she's infatuated by him.
Weird, baffling and truly novel passes through my mind whenever I watch this sedately complex, courageous and alienating late 70's British experimental thriller. The way it has layer upon layer, goes on to ambitiously build a minor and gripping structure, which its inspired psychological strangle hold and mystical air takes shape as to how genuine the pieces are and if they do come together. Does it make sense? Well, it's hard to say what the bigger picture means, but it is indeed curiously haunting, daunting and truly unpredictable. The non-linear story and compact script chips away with plenty of cryptic messages inter-cutting the soft, dream-like touch brought on by director Jerzy Skolimowski. He gives the film such an hypnotic appeal amongst its arty brushes, where its swirling electronic score peaks in the right places and Mick Molloy's sublime framing emits elegant photography work. Those scenes involving the 'shout' are lethal, and only increase to the lurking eeriness created by top-notch sound FX. Visually the film has a powerful, isolated and lush setting that works with the story's spiritual and supernatural journey. The three lead performances are sensational, but it's Alan Bates who dominates the show with his startling and obscure turn as the tramp/patient. John Hurt as the downtrodden turned bewitched composer gives in a stellar performance and Susanna York, as his wife is also great. The talented Tim Curry shows up in a small, but effective role.
Quite an unusual puzzle, which is strangely compelling, unique and very well made.
Weird, baffling and truly novel passes through my mind whenever I watch this sedately complex, courageous and alienating late 70's British experimental thriller. The way it has layer upon layer, goes on to ambitiously build a minor and gripping structure, which its inspired psychological strangle hold and mystical air takes shape as to how genuine the pieces are and if they do come together. Does it make sense? Well, it's hard to say what the bigger picture means, but it is indeed curiously haunting, daunting and truly unpredictable. The non-linear story and compact script chips away with plenty of cryptic messages inter-cutting the soft, dream-like touch brought on by director Jerzy Skolimowski. He gives the film such an hypnotic appeal amongst its arty brushes, where its swirling electronic score peaks in the right places and Mick Molloy's sublime framing emits elegant photography work. Those scenes involving the 'shout' are lethal, and only increase to the lurking eeriness created by top-notch sound FX. Visually the film has a powerful, isolated and lush setting that works with the story's spiritual and supernatural journey. The three lead performances are sensational, but it's Alan Bates who dominates the show with his startling and obscure turn as the tramp/patient. John Hurt as the downtrodden turned bewitched composer gives in a stellar performance and Susanna York, as his wife is also great. The talented Tim Curry shows up in a small, but effective role.
Quite an unusual puzzle, which is strangely compelling, unique and very well made.
- lost-in-limbo
- 28 jul 2007
- Enlace permanente
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- How long is The Shout?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- País de origen
- Idioma
- Títulos en diferentes países
- The Shout
- Localizaciones del rodaje
- Devon, Inglaterra, Reino Unido(photographed entirely on location in North Devon, England)
- Empresas productoras
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Presupuesto
- 5.000.000 GBP (estimación)
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