Añade un argumento en tu idiomaRocco is a young Italian living in New York. He is desperate for a job and willing to do anything, including being in porn movies, just like his friend Lilly.Rocco is a young Italian living in New York. He is desperate for a job and willing to do anything, including being in porn movies, just like his friend Lilly.Rocco is a young Italian living in New York. He is desperate for a job and willing to do anything, including being in porn movies, just like his friend Lilly.
Susan McBain
- Lilly
- (as Susan Elliot)
Giacomo Rossi Stuart
- Donovan
- (as Jack Stuart)
Renato Romano
- Barry
- (as Raf Valenti)
Peter Andrews
- Lighting Technician
- (sin acreditar)
Terry Austin
- Second Movie Director
- (sin acreditar)
Roger Caine
- Rob
- (sin acreditar)
Philip De Hatte
- Ben
- (sin acreditar)
Robert Kerman
- Potential Agent
- (sin acreditar)
Tony Mansfield
- Guy with Refreshment Cart
- (sin acreditar)
Wade Nichols
- Dick
- (sin acreditar)
David Pierce
- First Cameraman
- (sin acreditar)
Dave Ruby
- Guy on Movie Set
- (sin acreditar)
William Sanderson
- Guy in Next Cell
- (sin acreditar)
Carter Stevens
- Steve
- (sin acreditar)
Argumento
¿Sabías que...?
- CuriosidadesActress Monica Scattini, who plays the young tourist, is the daughter of Blue Nude's director Luigi Scattini.
- ConexionesReferences Tiranía (1969)
- Banda sonoraBlue Nude
Written by Charles Cannon (as Cannon) and Piero Umiliani (as Umiliani)
Reseña destacada
Blue Nude, directed by Luigi Scattini, is a hidden gem that showcases the artistic tension and versatility of its composer, Piero Umiliani, aka "The Maestro." With a rating of 5/10, this 1978 film offers a unique auditory experience, a musically rich tapestry that blends jazz, funk, and country in unexpected but captivating ways.
The film, rarely seen due to its limited release and the bankruptcy of the production company, is an obscure and mysterious piece of cinema. The story is set in the gritty backstreets of New York, and the music reflects this urban landscape, creating a soundscape that is both atmospheric and tense.
Umiliani's score is the true star of this film. The jazz-infused soundtrack, with its unexpected genre digressions, keeps the audience engaged and surprised. The two standout cues, "Blue Nude" and "Life Goes On," feature the smooth and soulful vocals of New York-born, Rome-based singer Charles William Cannon. These musical moments are the highlight of the film, showcasing the unique "contamination," as Umiliani might call it, of styles and the tension he so often sought in his work.
The film itself is a mixed bag. With a limited release and a short theatrical run, it's no wonder that it has flown under the radar for so long. The plot is somewhat incohesive, and the story struggles to find its footing, mirroring the jazz-funk fusion in a somewhat chaotic way. The film's pacing is uneven, with some scenes dragging and others feeling rushed. It's as if the film can't quite decide what it wants to be, much like the antithetical genres Umiliani merges so skillfully.
However, for fans of film scores and unique cinematic experiences, Blue Nude is worth seeking out. The music elevates the film, and the rare nature of this cinematic treat adds to its allure. It's a shame that the film's release was hampered by circumstances beyond its control, as it undoubtedly would have found a cult following with a wider release.
In conclusion, Blue Nude is an aural delight and a testament to Umiliani's skill as a composer. While the film itself has its flaws and may not be for everyone, the score is a masterpiece that deserves to be heard and celebrated. So, for those seeking a unique, auditory cinematic journey, Blue Nude is worth uncovering.
Let the smooth, gritty jazz and the mysterious allure of this forgotten film serenade you. Just don't expect a cohesive narrative to go with your auditory feast.
The film, rarely seen due to its limited release and the bankruptcy of the production company, is an obscure and mysterious piece of cinema. The story is set in the gritty backstreets of New York, and the music reflects this urban landscape, creating a soundscape that is both atmospheric and tense.
Umiliani's score is the true star of this film. The jazz-infused soundtrack, with its unexpected genre digressions, keeps the audience engaged and surprised. The two standout cues, "Blue Nude" and "Life Goes On," feature the smooth and soulful vocals of New York-born, Rome-based singer Charles William Cannon. These musical moments are the highlight of the film, showcasing the unique "contamination," as Umiliani might call it, of styles and the tension he so often sought in his work.
The film itself is a mixed bag. With a limited release and a short theatrical run, it's no wonder that it has flown under the radar for so long. The plot is somewhat incohesive, and the story struggles to find its footing, mirroring the jazz-funk fusion in a somewhat chaotic way. The film's pacing is uneven, with some scenes dragging and others feeling rushed. It's as if the film can't quite decide what it wants to be, much like the antithetical genres Umiliani merges so skillfully.
However, for fans of film scores and unique cinematic experiences, Blue Nude is worth seeking out. The music elevates the film, and the rare nature of this cinematic treat adds to its allure. It's a shame that the film's release was hampered by circumstances beyond its control, as it undoubtedly would have found a cult following with a wider release.
In conclusion, Blue Nude is an aural delight and a testament to Umiliani's skill as a composer. While the film itself has its flaws and may not be for everyone, the score is a masterpiece that deserves to be heard and celebrated. So, for those seeking a unique, auditory cinematic journey, Blue Nude is worth uncovering.
Let the smooth, gritty jazz and the mysterious allure of this forgotten film serenade you. Just don't expect a cohesive narrative to go with your auditory feast.
- MajesticMane
- 26 jun 2024
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By what name was Blue Nude (1978) officially released in Canada in English?
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