PUNTUACIÓN EN IMDb
6,4/10
7,1 mil
TU PUNTUACIÓN
Añade un argumento en tu idiomaThe Monkees frolic their way through a series of musical set pieces and vignettes containing surreal humor and anti-establishment social commentary.The Monkees frolic their way through a series of musical set pieces and vignettes containing surreal humor and anti-establishment social commentary.The Monkees frolic their way through a series of musical set pieces and vignettes containing surreal humor and anti-establishment social commentary.
Davy Jones
- Davy
- (as David Jones)
Argumento
¿Sabías que...?
- PifiasAnnette Funicello's character is called Theresa by Davy Jones before the boxing sequence, but is listed as Minnie in the end credits.
- Citas
Davy Jones, Micky Dolenz, Mike Nesmith, Peter Tork: [chanting in unison] Hey, hey, we are The Monkees, to that we all agree. A manufactured image with no philosophies.
- Créditos adicionalesThere are no credits at the beginning at the film, which was extremely rare for a 1960s film. They all appear at the end of the film.
- Versiones alternativasWhen the film was previewed in August 1968, its original cut ran about 110 mins. It was trimmed down to 86 mins. for the premiere.
- ConexionesEdited from El signo de la cruz (1932)
- Banda sonoraPorpoise Song
Reseña destacada
You would really need to remember the Monkees and have a clear understanding as to where and how they fitted into the second half of the 1960s in order to fully appreciate this movie.
There is no plot as such. Basically, it's a crazy, mixed up pastiche of various, unrelated sequences. But, it IS interesting AND entertaining in its own peculiar way once you get onto its wavelength. In short, it was a classic, cleverly conceived and well crafted example of late '60s experimental cinema. It contains some good songs, some ultra-groovy cinematography and plenty of other worthwhile ideas in terms of film technique.
I give it 8 out of 10 for several reasons. First, it took a lot of courage to make such an unorthodox movie in the commercial mainstream where both its stars and its producers were firmly ensconced at the time (whether they liked it or not). It seems that almost everyone who was associated with the project (with the exception of Columbia who paid for it) knew that it was probably not going to be a big money maker. Their reasons for wanting to do it were as unorthodox as the film itself. Secondly, it was, for the most part, a creative success. And, finally, as already mentioned, it is, unquestionably, a classic of the genre and, as such, it is now historically important.
Unfortunately, "Head" came too late in the Monkees career. But, there again, they wouldn't have been allowed to make it earlier on because it was essentially a very pointed and cynical satire of their own image.
Clearly, the members of the group knew, only too well, that the whole Monkeemania thing had pretty well run its course when they started work on this movie. In a way, it was to be their swan song and they were determined to let it all hang out. They were tired of being treated like mere pawns in the high powered corporate game in which they had been manipulated and exploited over the preceding few years. In short, they "wanted out" and they were going to say a few things before they left.
History, however, has vindicated the band. Let the critics be damned. The Monkees, left behind some of the best, most polished and successful pop records of the decade. Yes, they had plenty of help. But at the end of the day, THEY stood in front of the studio mikes, THEY fronted the movie and TV cameras and THEY did the concerts. They were fun and just a little bit crazy. But, unlike some of their contemporaries, they were never threatening. You could safely introduce a Monkey to your elderly aunt.
"Head" probably borrows a bit too heavily from the Beatles "Hard Day's Night" but it's still worth another look for those who were around at the time or for younger retro fans who can appreciate its significance.
Enjoy!
There is no plot as such. Basically, it's a crazy, mixed up pastiche of various, unrelated sequences. But, it IS interesting AND entertaining in its own peculiar way once you get onto its wavelength. In short, it was a classic, cleverly conceived and well crafted example of late '60s experimental cinema. It contains some good songs, some ultra-groovy cinematography and plenty of other worthwhile ideas in terms of film technique.
I give it 8 out of 10 for several reasons. First, it took a lot of courage to make such an unorthodox movie in the commercial mainstream where both its stars and its producers were firmly ensconced at the time (whether they liked it or not). It seems that almost everyone who was associated with the project (with the exception of Columbia who paid for it) knew that it was probably not going to be a big money maker. Their reasons for wanting to do it were as unorthodox as the film itself. Secondly, it was, for the most part, a creative success. And, finally, as already mentioned, it is, unquestionably, a classic of the genre and, as such, it is now historically important.
Unfortunately, "Head" came too late in the Monkees career. But, there again, they wouldn't have been allowed to make it earlier on because it was essentially a very pointed and cynical satire of their own image.
Clearly, the members of the group knew, only too well, that the whole Monkeemania thing had pretty well run its course when they started work on this movie. In a way, it was to be their swan song and they were determined to let it all hang out. They were tired of being treated like mere pawns in the high powered corporate game in which they had been manipulated and exploited over the preceding few years. In short, they "wanted out" and they were going to say a few things before they left.
History, however, has vindicated the band. Let the critics be damned. The Monkees, left behind some of the best, most polished and successful pop records of the decade. Yes, they had plenty of help. But at the end of the day, THEY stood in front of the studio mikes, THEY fronted the movie and TV cameras and THEY did the concerts. They were fun and just a little bit crazy. But, unlike some of their contemporaries, they were never threatening. You could safely introduce a Monkey to your elderly aunt.
"Head" probably borrows a bit too heavily from the Beatles "Hard Day's Night" but it's still worth another look for those who were around at the time or for younger retro fans who can appreciate its significance.
Enjoy!
- BruceCorneil
- 22 mar 2003
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- How long is Head?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- País de origen
- Idiomas
- Títulos en diferentes países
- Cabeza
- Localizaciones del rodaje
- Hyperion Water Reclamation Plant - 12000 Vista del Mar, Playa del Rey, Los Ángeles, California, Estados Unidos(upstairs downstairs, conveyor belt)
- Empresa productora
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Presupuesto
- 750.000 US$ (estimación)
- Duración1 hora 26 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1
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