En un mundo futurista que ha adoptado la esclavitud de los simios, César, el hijo de los difuntos simios Zira y Cornelius, reaparece tras casi veinte años de esconderse de las autoridades, y... Leer todoEn un mundo futurista que ha adoptado la esclavitud de los simios, César, el hijo de los difuntos simios Zira y Cornelius, reaparece tras casi veinte años de esconderse de las autoridades, y prepara una revuelta contra la humanidad.En un mundo futurista que ha adoptado la esclavitud de los simios, César, el hijo de los difuntos simios Zira y Cornelius, reaparece tras casi veinte años de esconderse de las autoridades, y prepara una revuelta contra la humanidad.
- Premios
- 1 nominación en total
Argumento
¿Sabías que...?
- CuriosidadesAn original script draft showed more of the rapid evolution of the apes from primitive to intelligent and showed the progression of apes from pets to slaves.
- PifiasIn less than 20 years since Huida del planeta de los simios (1971), chimpanzees, gorillas and orangutans have evolved to a perfectly humanoid form, a progression that would take thousands of years, not just one generation.
- Citas
MacDonald: Caesar... Caesar! This is not how it was meant to be.
Caesar: In your view or mine?
MacDonald: Violence prolongs hate, hate prolongs violence. By what right are you spilling blood?
Caesar: By the slave's right to punish his persecutor.
MacDonald: I, a descendant of slaves, am asking you to show humanity.
Caesar: But, I was not born human.
MacDonald: I know. The child of the evolved apes.
Caesar: Whose children shall rule the earth.
MacDonald: For better or for worse?
Caesar: Do you think it could be worse?
MacDonald: Do you think this riot will win freedom for all your people? By tomorrow...
Caesar: By tomorrow it will be too late. Why a tiny, mindless insect like the emperor moth can communicate with another over a distance of 80 miles...
MacDonald: An emperor ape might do slightly better?
Caesar: Slightly? What you have seen here today, apes on the 5 continents will be imitating tomorrow.
MacDonald: With knives against guns? With kerosene cans against flamethrowers?
Caesar: Where there is fire, there is smoke. And in that smoke, from this day forward, my people will crouch and conspire and plot and plan for the inevitable day of Man's downfall - the day when he finally and self-destructively turns his weapons against his own kind. The day of the writing in the sky, when your cities lie buried under radioactive rubble! When the sea is a dead sea, and the land is a wasteland out of which I will lead my people from their captivity! And we will build our own cities in which there will be no place for humans except to serve our ends! And we shall found our own armies, our own religion, our own dynasty! And that day is upon you... now!
- Créditos adicionalesThe 20th Century-Fox logo does not appear on this film.
- Versiones alternativasThe film was cut for violence in the final battle scene by the US distributor for a 'PG' rating. Similarly the BBFC (UK) cut the electrical torture of Caesar, and closeup scenes of violence from the killing of the guards and the climactic battle for an 'AA' cinema rating. Video releases were classified as '15' (now '12' for the DVD) and all prints feature the edited U.S version.
- ConexionesFeatured in Batalla por el planeta de los simios (1973)
This is an average , lackluster sci-fi flick plenty of metaphysical significance with thoughtful reflexion about origin of human being , racism , political pursuit, apartheid, though also packs action, intrigue and entertainment . Although several elements of the screenplay strain credibility to the limit the story turns out to be pretty interesting and amusing . It happens a parallelism between US racial tension ( Kent State slaughter, revolts in York ,Pennsylvania, 1969, and Camden, New Jersey , 1971) and the events described on the flick . Roddy McDowall's distinctive features prove to be recognisable even under John Chambers' wonderful ape make-up . The performers , particularly Roddy McDowall who provides the sturdy central pivot the tale surely needs , Natalie Trundy and Don Murray are pretty good , the characters are well drawn and in spite of makeup they are still oddly convincing . In spite of time and being mostly a regular follow-up of the former stories , some moments of energy remain and results to be a B movie full of action, battles and suspense . Writing credits by habitual Paul Dehn based on the characters from Pierre Boulle novel , however his screenplay is not just clever and was cut , eliminating some violent revolt scenes and obligated to pacific ending . Nice production design with interior sets taken from ¨Voyage to the bottom of the sea¨ and ¨Time tunnel ¨ produced by Irwin Allen and with great visual effects . One of the important attributes of this work, is the magnificent and luminous cinematography by Bruce Surtees who previously did such a good job for Clint Eastwood . Phenomenal creative make-up design by John Chambers, a first-rate expert . Fine musical score though imitating sounds from the great Jerry Goldsmith .The picture is lack budgeted by usual Arthur P. Jacobs , producer of whole saga, along with 2oth Century Fox . It's full of fury and sound , being professionally directed by J. Lee Thompson during four weeks in Los Angeles , at University and a lavish commercial development , using sometimes a nice visual sense. It's followed by ¨Battle for the planet of Apes¨ and a short-lived TV series, in with Roddy McDowall is again on hand as simian to sustain our interest and feeling .
- ma-cortes
- 26 oct 2010
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Detalles
- Fecha de lanzamiento
- País de origen
- Sitios oficiales
- Idioma
- Títulos en diferentes países
- Conquest of the Planet of the Apes
- Localizaciones del rodaje
- University of California, Irvine, California, Estados Unidos(city exteriors)
- Empresas productoras
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Presupuesto
- 1.700.000 US$ (estimación)
- Recaudación en Estados Unidos y Canadá
- 9.043.472 US$
- Recaudación en todo el mundo
- 9.043.472 US$
- Duración1 hora 28 minutos
- Color
- Relación de aspecto
- 2.39 : 1