Un soplo en el corazón

Título original: Le souffle au coeur

1971
12
1h 58min

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A medida que se aproxima el fin de la primera guerra de Indochina, un adolescente se siente dividido entre el amor maternal y el amor rebelde que quisiera descubrir.A medida que se aproxima el fin de la primera guerra de Indochina, un adolescente se siente dividido entre el amor maternal y el amor rebelde que quisiera descubrir.A medida que se aproxima el fin de la primera guerra de Indochina, un adolescente se siente dividido entre el amor maternal y el amor rebelde que quisiera descubrir.

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7,5/10

11 mil

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Nominado para 1 premio Óscar
- 2 premios y 3 nominaciones en total

Curiosidades
According to Pauline Kael, "what makes this movie so different from other movies about bourgeois life is that the director, Louis Malle, sees not only the prudent, punctilious surface but the volatile and slovenly life underneath. He looks at this bourgeois bestiary and sees it as funny and appalling and also - surprisingly - hardy and happy. It is perhaps the first time on film that anyone has shown us the bourgeoisie enjoying its privileges." Also for Kael, "it's a movie not about how one has been scarred but about how one was formed."

Pifias
During the chess match, the boys are sitting on what should be the spectator sides of the board, rather than the player sides. It appears that the chessmen were set up along the files rather than the ranks. (The lower right hand corner squares are black, when they should be white.)

Citas
Clara Chevalier: Why not take things as they come?
Laurent Chevalier: Meaning?
Clara Chevalier: I don't know. Begin at the beginning. Wait to experience things yourself. And there's plenty of time. I'm not rushing you. Everyone has to discover love for himself. Lots of things can happen between a man and a woman. Better to find out for yourself, not from a book.

Conexiones
Featured in Arena: My Dinner with Louis (1984)

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Comentarios

Reseña destacada

Magnificently Provocative

La Soufflé au Cour really manages to make you question well-established values. Made in 1971 I can really imagine how it deranged the society and made the French film censure think twice before allowing it to be published. As a provocative film there's no doubt it's still timely. Louis Malle breaks taboos with a spontaneity that makes me as a viewer question if I've missed something growing up.

Malle seems to me to be above all a magnificent story-teller. There is no apparent message in La Soufflé au Cour, instead Malle let's the viewer make his own assumptions, based the deceptively realistic happenings and surroundings.

It's an unforgettable film, but watch out. You might be influenced by it.