PUNTUACIÓN EN IMDb
7,7/10
34 mil
TU PUNTUACIÓN
Durante un viaje en barco en el Mediterráneo una mujer desaparece. Mientras la buscan, su pareja y su mejor amiga empiezan a sentirse atraídos.Durante un viaje en barco en el Mediterráneo una mujer desaparece. Mientras la buscan, su pareja y su mejor amiga empiezan a sentirse atraídos.Durante un viaje en barco en el Mediterráneo una mujer desaparece. Mientras la buscan, su pareja y su mejor amiga empiezan a sentirse atraídos.
- Nominado a 2 premios BAFTA
- 6 premios y 12 nominaciones en total
Prof. Cucco
- Ettore
- (sin acreditar)
Argumento
¿Sabías que...?
- CuriosidadesAt its premiere at the 1960 Cannes Film Festival, this was booed so much to the extent that Michelangelo Antonioni and Monica Vitti fled the theater. However, after the second screening there was a complete turn around in how it was perceived and it was awarded the Special Jury Prize, going on to become a landmark of European cinema.
- PifiasWhen Sandro and Gloria make love, her nipple is unintentionally revealed and she quickly hide it.
- ConexionesEdited into Histoire(s) du cinéma: Seul le cinéma (1994)
- Banda sonoraMai
(uncredited)
Written by Silvana Simoni (as Simoni), Aldo Locatelli (as Locatelli), Arturo Casadei (as Casadei), and Aldo Valleroni (as Valleroni)
Performed by Mina
[sung along to by Monica Vitti]
Reseña destacada
There's something strange going on in this film.
The first time I watched it, it seemed to wash over me without affecting me in anyway. Later on(and I've read this in other people's comments here as well) I found images and dialogue from the movie creeping into my subconscious; entire dreams would take place upon the island where Anna goes missing(often in monochrome), or I'd start to compare real life events to those that occur during the film. Did Antonioni plant subliminal messages within the movie? Probably not. It's more likely the masterful pace he employs here, coupled with the busy, deep cinematography is the cause of this. Notice how the backgrounds NEVER go out of focus, no matter how much is going on within the frame. Check out the scene about an hour and ten minutes in, where Sandro and the old man are talking in the middle of an extremely busy street; nothing blurs or goes out of focus, even when a tram comes in and out of the shot, nothing loses it's perspective, and as the scene ends and they walk deep into the shot we can see way past them and far, far into the distance.
This seems to be why the film has such a deep affect on the subconscious. The characters are deliberately shallow and are placed at the very foreground of every shot, yet the backgrounds are rich tableaux bustling with life. In the scenes on the island where Anna disappears, we see the main characters always in shot, yet in the background there is a feeling that something strange within nature itself is going on. The darkening of the clouds, the sudden mist upon the water, the rocks falling to the sea, even the sudden appearance of the old hermit character, all give a certain unease.
There's also the haunting feeling of the film, as Anna's friends begin, almost immediately to forget about her. Soon, they don't seem to care a jot about her, and neither, in a sense, do we. It's this feeling of loose ends and guilt on our part(for joining her so called 'friends' in forgetting about her so quickly) that leaves the deepest impression. The characters in this film are so morally shallow(the ending bears this out) yet they are the reason this film leaves such a strong impression on those who watch it, and who become captivated by it.
I cant recommend this film to everyone because I know that the Hollywood Blockbuster has reduced most modern cinema-goers attention spans to almost zero. But if you fancy a challenge, or merely wish to luxuriate in classic cinema.....begin here.
The first time I watched it, it seemed to wash over me without affecting me in anyway. Later on(and I've read this in other people's comments here as well) I found images and dialogue from the movie creeping into my subconscious; entire dreams would take place upon the island where Anna goes missing(often in monochrome), or I'd start to compare real life events to those that occur during the film. Did Antonioni plant subliminal messages within the movie? Probably not. It's more likely the masterful pace he employs here, coupled with the busy, deep cinematography is the cause of this. Notice how the backgrounds NEVER go out of focus, no matter how much is going on within the frame. Check out the scene about an hour and ten minutes in, where Sandro and the old man are talking in the middle of an extremely busy street; nothing blurs or goes out of focus, even when a tram comes in and out of the shot, nothing loses it's perspective, and as the scene ends and they walk deep into the shot we can see way past them and far, far into the distance.
This seems to be why the film has such a deep affect on the subconscious. The characters are deliberately shallow and are placed at the very foreground of every shot, yet the backgrounds are rich tableaux bustling with life. In the scenes on the island where Anna disappears, we see the main characters always in shot, yet in the background there is a feeling that something strange within nature itself is going on. The darkening of the clouds, the sudden mist upon the water, the rocks falling to the sea, even the sudden appearance of the old hermit character, all give a certain unease.
There's also the haunting feeling of the film, as Anna's friends begin, almost immediately to forget about her. Soon, they don't seem to care a jot about her, and neither, in a sense, do we. It's this feeling of loose ends and guilt on our part(for joining her so called 'friends' in forgetting about her so quickly) that leaves the deepest impression. The characters in this film are so morally shallow(the ending bears this out) yet they are the reason this film leaves such a strong impression on those who watch it, and who become captivated by it.
I cant recommend this film to everyone because I know that the Hollywood Blockbuster has reduced most modern cinema-goers attention spans to almost zero. But if you fancy a challenge, or merely wish to luxuriate in classic cinema.....begin here.
- Poison-River
- 21 mar 2005
- Enlace permanente
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Detalles
- Fecha de lanzamiento
- Países de origen
- Idiomas
- Títulos en diferentes países
- L'Avventura
- Localizaciones del rodaje
- Basiluzzo Island, Aeolian Islands, Messina, Sicily, Italia(scenes of swimming in the sea where Anna claims to have seen a shark)
- Empresas productoras
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Recaudación en todo el mundo
- 2606 US$
- Duración2 horas 24 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1
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Principal laguna de datos
By what name was La aventura (1960) officially released in India in English?
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