The Rough and the Smooth

1959
1h 36min

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Tony Britton and Nadja Tiller in The Rough and the Smooth (1959)

Una joven rubia parece destruir a todos con los que entra en contacto.Una joven rubia parece destruir a todos con los que entra en contacto.Una joven rubia parece destruir a todos con los que entra en contacto.

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6,0/10

218

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Premios
- 1 nominación en total

Imágenes10

+ 3

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Argumento

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Curiosidades
The hotel used by the lovers, The Edgwarebury Hotel, was previously used as the location for The Traitor (1957), and would be used again as the tennis club in School For Scoundrels (1960); Rod Taylor's training ground in The Liquidator (1965); the Eatons' house in The Devil Rides Out (1968); "The Elizabethan Hotel" in The Avengers S7 Episode 20 "Wish You Were Here" (12/2/69); Paul Kirstner's house in Randall & Hopkirk (Deceased) Episode 7 "Murder Ain't What It Used To Be" (2/11/69); "Merstham Manor" in Randall & Hopkirk (Deceased) Episode 9 "The House on Haunted Hill" (16/11/69); Mrs Howe's house in Randall & Hopkirk (Deceased) Episode 14 "Who Killed Cock Robin?" (21/12/69) and the restaurant visited by Strand in Special Branch S4 Episode 12 "Diversion" (2/5/74)

Citas
Mike Thompson: You beautiful, blonde bitch!

Conexiones
Featured in Trailer Cinema (1992)

Banda sonora
Symphony No.6 (The Pathetique)
(uncredited)
Music by Pyotr Ilyich Tchaikovsky

Reseñas de usuarios9

Comentarios

Reseña destacada

8/10

"What is Sadism?"

Nadja Tiller, fresh from playing a blackmailing callgirl in 'Das Madchen Rosemarie' (1958) played a blonde tease in this screen version of the 1951 novel by the nephew of W.Somerset Maugham which amply demonstrates that he was another chip off the old block.

Tony Britton goes to pieces over blonde slattern Tiller as Lawrence Harvey would five years later over Kim Novak in Ken Hughes' version of 'Of Human Bondage' and James Fox would over Sarah Miles in 'The Servant'.

Enhanced by noirish photography by Otto Heller, there's a remarkable amount of sex talk; and Donald Wolfit again represents the cynicism and venality of the establishment as he had just done in 'Room at the Top'.