PUNTUACIÓN EN IMDb
7,6/10
2,7 mil
TU PUNTUACIÓN
Una joven judía lidera un intento de fuga de un campo de concentración.Una joven judía lidera un intento de fuga de un campo de concentración.Una joven judía lidera un intento de fuga de un campo de concentración.
- Nominado para 1 premio Óscar
- 3 premios y 4 nominaciones en total
Semka Sokolovic-Bertok
- Une detenuta
- (as Semca Sokolovic)
Dirjana Dojic
- Ninette
- (as Dirjana Dojc)
Graziella Durano
- Une detenuta
- (sin acreditar)
Sima Janicijevic
- Il medico di Auschwitz
- (sin acreditar)
Rastislav Jovic
- Yanko Milovich
- (sin acreditar)
Dusan Perkovic
- Il commandante tedesco
- (sin acreditar)
Argumento
¿Sabías que...?
- CuriosidadesThe producers imposed a romance line in the story and also another ending, different from the one Pontecorvo, the director, wished to shoot.
- PifiasIn the opening scene, Edith walks past some shops on her way back home. One of the shops look like it belongs to the booming 1950s than the more austere WWII period. There is a toy car or baby push car in the store window that shows the typical car design of the 1950s.
- Citas
Edith, alias Nicole Niepas: [to Sasha] Your mother won't like me, I'm not a good girl, and my name's not Nicole, I'm a Jew.
- ConexionesFeatured in Pontecorvo: The Dictatorship of Truth (1992)
Reseña destacada
Edith is a Jewish teen whose family is among those loaded onto boxcars and shipped to Auschwitz. This is a story of brutality and Susan Strasberg ("Picnic") plays the central character who struggles to survive the Nazi holocaust machine.
Shot in black and white, of course, the film provides a stark and nearly unrelenting look at the depravity, deprivations, and degradations found in concentration camps. Strasberg is strong in her role, embodying the chameleon-like ability to change that gives her character a chance to survive, though survival has its price.
The action feels real, the locations feel real, and real emotions are evoked by this ambitious attempt to delve into the real human costs of barbarism---the loss of principles, the corruption of dignity, and the subtle shadings of resistance.
The Italian producers of this film pursued Strasberg for this role, somehow knowing that she had the depth within her to bring Edith to life on the screen. Her father, Lee, recommended she accept the role. Luckily, she did.
Shot in black and white, of course, the film provides a stark and nearly unrelenting look at the depravity, deprivations, and degradations found in concentration camps. Strasberg is strong in her role, embodying the chameleon-like ability to change that gives her character a chance to survive, though survival has its price.
The action feels real, the locations feel real, and real emotions are evoked by this ambitious attempt to delve into the real human costs of barbarism---the loss of principles, the corruption of dignity, and the subtle shadings of resistance.
The Italian producers of this film pursued Strasberg for this role, somehow knowing that she had the depth within her to bring Edith to life on the screen. Her father, Lee, recommended she accept the role. Luckily, she did.
- atlasmb
- 14 ene 2020
- Enlace permanente
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- How long is Kapo?Con tecnología de Alexa
Detalles
- Duración1 hora 58 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.66 : 1
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Principal laguna de datos
By what name was Kapò (1960) officially released in Canada in English?
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