Un miembro del jurado trata de evitar un error judicial obligando al resto del jurado a reconsiderar las pruebas.Un miembro del jurado trata de evitar un error judicial obligando al resto del jurado a reconsiderar las pruebas.Un miembro del jurado trata de evitar un error judicial obligando al resto del jurado a reconsiderar las pruebas.
- Nominado para 3 premios Óscar
- 16 premios y 12 nominaciones en total
Tom Gorman
- Stenographer
- (sin acreditar)
James Kelly
- Guard
- (sin acreditar)
Billy Nelson
- Court Clerk
- (sin acreditar)
John Savoca
- The Accused
- (sin acreditar)
Walter Stocker
- Man Waiting for Elevator
- (sin acreditar)
Argumento
¿Sabías que...?
- CuriosidadesDirector Sidney Lumet had the actors all stay in the same room for several hours on end and do their lines over and over without filming them. This was to give them a real taste of what it would be like to be cooped up in a room with the same people.
- PifiasWithin the last half hour of the movie, the clock on the wall in the jury room can be seen indicating 6:15. Several minutes later, E.G. Marshall states that it is "a quarter after six". Several minutes after that, the wall clock is seen again, but still shows 6:15. Still later, when Lee J. Cobb leans over the table after he tears up the snapshot from his wallet, his watch can be seen indicating 5:10.
- Citas
Juror #8: Let me ask you this: Do you really think the boy'd shout out a thing like that so the whole neighborhood could hear him? I don't think so - he's much too bright for that.
Juror #10: Bright? He's a common ignorant slob. He don't even speak good English.
Juror #11: [who has a foreign accent] He *doesn't* speak good English.
- Créditos adicionalesAt the end of the film, the actors are billed in order of their juror numbers; thus Henry Fonda, although the star of the film, appears 8th.
- Versiones alternativasThe United Artists logo is plastered with black and white versions of the MGM/UA Communications Co./1987 United Artists logo in the 1990 VHS, and 1994 variant in the DVD. But in the 2008 DVD and some TV prints, it featured the colorized opening and closing MGM logos.
- ConexionesEdited into Voskovec & Werich - paralelní osudy (2012)
Reseña destacada
This film is superb, in fact as Shakespeare once said "Its the bees' knees". The film captivates the audience from the beginning. Each of the twelve jurors are introduced to us as they are introduced to themselves. The characters are well draw out and individual, each with his own personality.
The tension of the characters draws the audience in from the start. We imagine that the case is open and shut, 11 me saying guilty and 1 not. We feel the discomfort of Henry Fonda as the other characters belittle and mock how he can see any reasonable doubt in the case. But we also share his victories and the enthusiasm as he proceeds to refute or add doubt to the arguments for guilty and are captivated and draw in as other jurors begin to see doubt in the proceedings.
The audience can also see the arguments for guilty and wonder if Fonda's character is correct in saying that he doubts. Yet they also feel the shame of the characters as he disproves that a previously sound theory is iron tight, joining his side as members of the jury do.
On top of this they are wonderfully woven in human elements such as the misconceptions that influence people and the growing tension between different characters. This is brought to life even more by the amazing performances, Fonda, Lee J Cobb and Joseph Sweeney are of particular note.
I started watching this film on a bored relaxed laying about day but by the end i was on the edge of the seat with my hands on my knees feeling more tense than a politician on results day.
How a film should be made. Modern directors take note(thats ur telling off for the day) 10/10
The tension of the characters draws the audience in from the start. We imagine that the case is open and shut, 11 me saying guilty and 1 not. We feel the discomfort of Henry Fonda as the other characters belittle and mock how he can see any reasonable doubt in the case. But we also share his victories and the enthusiasm as he proceeds to refute or add doubt to the arguments for guilty and are captivated and draw in as other jurors begin to see doubt in the proceedings.
The audience can also see the arguments for guilty and wonder if Fonda's character is correct in saying that he doubts. Yet they also feel the shame of the characters as he disproves that a previously sound theory is iron tight, joining his side as members of the jury do.
On top of this they are wonderfully woven in human elements such as the misconceptions that influence people and the growing tension between different characters. This is brought to life even more by the amazing performances, Fonda, Lee J Cobb and Joseph Sweeney are of particular note.
I started watching this film on a bored relaxed laying about day but by the end i was on the edge of the seat with my hands on my knees feeling more tense than a politician on results day.
How a film should be made. Modern directors take note(thats ur telling off for the day) 10/10
- Andrew Devonshire
- 17 sept 2002
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Detalles
- Fecha de lanzamiento
- País de origen
- Idioma
- Títulos en diferentes países
- Dotze homes sense pietat
- Localizaciones del rodaje
- Empresa productora
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Presupuesto
- 350.000 US$ (estimación)
- Recaudación en todo el mundo
- 2945 US$
- Duración1 hora 36 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1
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Principal laguna de datos
What was the official certification given to 12 hombres sin piedad (1957) in Canada?
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