Corredor sin retorno

Título original: Shock Corridor

1963
Approved
1h 41min

PUNTUACIÓN EN IMDb

7,3/10

13 mil

TU PUNTUACIÓN

Reproducir trailer2:53

1 vídeo

99+ imágenes

Psychological Thriller Drama Mystery Thriller

Decidido a ganar el Premio Pulitzer, un periodista se entrega a una institución psiquiátrica para resolver un extraño y complejo caso de asesinato.Decidido a ganar el Premio Pulitzer, un periodista se entrega a una institución psiquiátrica para resolver un extraño y complejo caso de asesinato.Decidido a ganar el Premio Pulitzer, un periodista se entrega a una institución psiquiátrica para resolver un extraño y complejo caso de asesinato.

Ver la información de la producción en IMDbPro

PUNTUACIÓN EN IMDb

7,3/10

13 mil

TU PUNTUACIÓN

Ver la información de la producción en IMDbPro

Premios
- 3 premios y 2 nominaciones en total

Curiosidades
Because of the film's budget and the size of the sound stage, Samuel Fuller hired little people to walk around in the far section of the corridor to give audiences a greater sense of depth.

Pifias
The opening quotation, "Whom god wishes to destroy he first makes mad" is incorrect since though the idea probably originates in ancient Greece, the ancient Greeks were polytheistic and would have referred to 'the gods,' and the attribution to Eurypides is false.

Citas
Johnny Barrett: Nymphos!

Créditos adicionales
The quote "Whom God wishes to destroy, he first makes mad". Euripides 425 B.C." appears at the beginning and end.

Conexiones
Edited from La casa de bambú (1955)

Banda sonora
(I Wish I Was in) Dixie's Land
(uncredited)
aka "Dixie"
Music by Daniel Decatur Emmett
Whistled by James Best (Stuart); also played on the piano during the dance therapy session.

Reseñas de usuarios78

Comentarios

Reseña destacada

8/10

Undercover madness Fuller style.

The striking thing about this film is just how unnervingly barmy the characters are, and even more amazing is just how they seem so apt with Sam Fuller's sledgehammer direction. Written, directed and produced by Fuller it weaves a cautionary tale of how faking madness just might bring about the downfall of ones own sanity, and here it begs the question of if the price of fame has no boundaries to those who clamour for glory ?. The film cleverly manages to make the viewer think about the thin line between sanity and insanity and this is shot with such style it lingers long in the memory after the credits role. Some great sequences allied with clever switches to {almost surreal} color make this more than a curiosity piece because of the directors "American Primitive" reputation.

Interestingly dark 8/10.