Un viudo entrado en años acuerda el matrimonio de su única hija.Un viudo entrado en años acuerda el matrimonio de su única hija.Un viudo entrado en años acuerda el matrimonio de su única hija.
- Premios
- 4 premios y 1 nominación en total
Argumento
¿Sabías que...?
- CuriosidadesYasujirô Ozu: [static camera] There is not a single camera movement in the entire film, as in many of Ozu's films.
- Citas
[English subtitled version]
Yoshitaro Sakamoto: If Japan had won the war, how would things be?
Shuhei Hirayama: I wonder.
Yoshitaro Sakamoto: More whiskey! Bring us the whole bottle. If we'd won, we'd both be in New York now. New York. And not just a pachinko parlor called New York. The real thing!
Shuhei Hirayama: Think so?
Yoshitaro Sakamoto: Absolutely. Because we lost, our kids dance around and shake their rumps to American records. But if we had won, the blue-eyed ones would have chignon hairdos and chew gum while plunking tunes on the shamisen.
Shuhei Hirayama: But I think it's good we lost.
Yoshitaro Sakamoto: You think? Yeah, maybe you're right. The dumb militarists can't bully us anymore.
- Créditos adicionalesThe film title and credits are set against a backdrop of painted fronds.
Generally Yasujirô Ozu films have the credits placed before a backdrop of plain sackcloth.
- ConexionesFeatured in Yasujirô Ozu, le cinéaste du bonheur (2023)
- Banda sonoraGunkan kôshinkyoku
(Warship March)
Written by Tôkichi Setoguchi
The main protagonist is an ageing widower with a 32-year-old married son, and two unmarried children, 24-year-old daughter, and 21-year-old son. His wife has died just before the end of the war. His older son lives modestly with his wife in a small apartment. The widower and five of his classmates from middle-school hold regular reunions at a restaurant. They remember their old times and having fun with good food and drink. One of his friends has found a good opportunity for his daughter. She takes care of the housework, drunken father and younger brother. After a few events, the old man recognizes his own selfishness in keeping his daughter at home to look after him, and decides to arrange a marriage for her...
Mr. Ozu has made another family drama that touches the soul. He examines topics related to a family, loneliness, alcoholism, marriage, through relationships between parents and children. His emotional space is narrowed to everyday life, in which a thin line separates the joy and the sorrow. He points to the transience of life through a family melodrama.
The scenery is almost closed and spatially confined, that suggesting a monotonous daily routine. The characterization is excellent.
Chishū Ryū as Shūhei Hirayama is a reserved and quiet old man who finds moments of his happiness in having fun, alcohol and beautiful owner of a bar. He skillfully hiding his inner emotion. He has tried to resist the transience of life, of course, to no avail. Shima Iwashita as Michiko Hirayama is his devoted daughter. She is aware of her situation, but unhappy at leaving his father and brother. Keiji Sada (Kōichi Hirayama) and Mariko Okada (Akiko Hirayama) are very entertaining as a quarrelsome couple, which is burdened with a material world.
Anyway, life goes on.
- elvircorhodzic
- 17 jun 2017
- Enlace permanente
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Detalles
- Fecha de lanzamiento
- País de origen
- Idioma
- Títulos en diferentes países
- El gust del peix a la tardor
- Localizaciones del rodaje
- Tokio, Japón(setting of the action)
- Empresa productora
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Recaudación en todo el mundo
- 27.189 US$