Añade un argumento en tu idiomaAn Irish horsecar driver's daughter meets New York showman Tony Pastor and goes into vaudeville.An Irish horsecar driver's daughter meets New York showman Tony Pastor and goes into vaudeville.An Irish horsecar driver's daughter meets New York showman Tony Pastor and goes into vaudeville.
- Premios
- 1 nominación en total
S.Z. Sakall
- Miklos Teretzky
- (as Cuddles Sakall)
Marcia Mae Jones
- Katie O'Grady
- (as Marsha Jones)
John Albright
- Audience Member
- (sin acreditar)
Leon Alton
- Audience Member
- (sin acreditar)
John Barton
- Audience Member
- (sin acreditar)
George Boyce
- Audience Member
- (sin acreditar)
Jack Boyle
- Chorus Boy
- (sin acreditar)
Chet Brandenburg
- Audience Member
- (sin acreditar)
Tex Brodus
- Chorus Boy
- (sin acreditar)
Argumento
¿Sabías que...?
- CuriosidadesJames Barton (Dennis O'Grady) was an actual vaudeville song and dance man before breaking into movies.
- PifiasTony Pastor was born in 1837, so he would have been much older than Gordon MacRae.
However, actors are not required to be the same chronological age as persons they portray. Age is just a number, and after all, they are *acting*.
- Citas
Dennis O'Grady: [Dennis goes into a saloon in shock after finding out one of his daughters is having twins, but he doesn't know which one] About how long would it take a man to drink himself to death?
Ed Powers: With our whiskey, just a matter of minutes.
[puts bottle of whiskey onto the bar]
- ConexionesReferences Un Conejo Crece en Manhattan (1947)
Reseña destacada
When GORDON MacRAE and JUNE HAVER are kicking up their heels in song and dance or GENE NELSON is demonstrating his talent as a hoofer, THE DAUGHTER OF ROSIE O'GRADY comes alive as musical entertainment of the fluffiest kind. But not too much plot-wise differentiates this one from a strong of Hollywood musicals with a backstage plot. Indeed the wisp of a plot is just about forgettable once the film is over.
Despite this, there's a good performance from JAMES BARTON, as the father of three girls (June, Debbie Reynolds and Marcia Mae Jones), an Irisman who doesn't want his girls to have anything to do with show business. Of course, the irony is that daughter June is such a natural talent that it would be criminal neglect to keep her away from a stage door and prevent her from performing.
JUNE HAVER demonstrates a talent for song and dance that has rarely been shown to such advantage in even some of her better known films (as, for example, the Marilyn Miller role in LOOK FOR THE SILVER LINING). She keeps up with GENE NELSON step for step with professional poise and ease and has a pleasant way with a song, too. She retired from films much too soon once she married Fred MacMurray.
Some old-fashioned tunes get nice treatments from the cast and David Butler's direction keeps things moving at a fairly good pace. A little too much time is given to the fumbling shenanigans of S.Z. SAKALL in one of his stereotyped roles as a Warner contract player.
Passes the time pleasantly although it's strictly a routine backstage musical, the kind done a zillion times during the '40s and '50s.
Despite this, there's a good performance from JAMES BARTON, as the father of three girls (June, Debbie Reynolds and Marcia Mae Jones), an Irisman who doesn't want his girls to have anything to do with show business. Of course, the irony is that daughter June is such a natural talent that it would be criminal neglect to keep her away from a stage door and prevent her from performing.
JUNE HAVER demonstrates a talent for song and dance that has rarely been shown to such advantage in even some of her better known films (as, for example, the Marilyn Miller role in LOOK FOR THE SILVER LINING). She keeps up with GENE NELSON step for step with professional poise and ease and has a pleasant way with a song, too. She retired from films much too soon once she married Fred MacMurray.
Some old-fashioned tunes get nice treatments from the cast and David Butler's direction keeps things moving at a fairly good pace. A little too much time is given to the fumbling shenanigans of S.Z. SAKALL in one of his stereotyped roles as a Warner contract player.
Passes the time pleasantly although it's strictly a routine backstage musical, the kind done a zillion times during the '40s and '50s.
- Doylenf
- 11 nov 2010
- Enlace permanente
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- How long is The Daughter of Rosie O'Grady?Con tecnología de Alexa
Detalles
- Duración1 hora 44 minutos
- Relación de aspecto
- 1.37 : 1
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By what name was The Daughter of Rosie O'Grady (1950) officially released in India in English?
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