This is a very good film noir, well directed by Roy Rowland and with strong casting. It is based on a story called 'Smashing the Bookie Gang Marauders', which provided a run of the mill plot. But the strongest aspect of this film is its intelligent and witty screenplay by Charles Schnee. The film has many quick ripostes and lots of snappy dialogue. But unlike many such films, where gag writers have inserted the gags, there are no gags in this film, and instead Schnee has written his own text with plenty of quick zippy wit. One particularly good line is when Van Johnson says to floozy Gloria DeHaven: 'You know, when girls have your kind of looks, it's hard to see them.' That was because he had misread her character. Van Johnson is at his best as the stalwart cop in this detective tale. His beautiful wife is played by Arlene Dahl, to great effect. Gloria DeHaven is the gangster's moll, and she is some looker. She almost had me fooled too. All that soft soap concealing the hard steel underneath is enough to make any guy doubt the reliability of dames sometimes. The story concerns some wild thugs who are wiping out the bookies and killing people without compunction, in an attempt to 'take over'. The main murderer is a man with a twisted hand and a blotchy face. But no one can find him. It is interesting from the dialogue in the film that at that time tough guys did not say: 'Where is he holed up?' but merely: 'Where is he holed?' And another linguistic surprise is that Van Johnson talks of people spending time together as 'hanging', as in the phrase 'hanging out' used by young people today. I had no idea that people in 1949 were already talking about 'hanging' with each other. It all goes to show how important movies can be for one's historical education in the evolution of slang. In fact, there is no substitute for them. And that is yet another reason for watching old movies nonstop.
