Close-Up

1948
1h 16min

PUNTUACIÓN EN IMDb

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Alan Baxter and Virginia Gilmore in Close-Up (1948)

Añade un argumento en tu idiomaAfter his photo is accidentally taken, that someone will do everything in his power to get hold of the negative.After his photo is accidentally taken, that someone will do everything in his power to get hold of the negative.After his photo is accidentally taken, that someone will do everything in his power to get hold of the negative.

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PUNTUACIÓN EN IMDb

5,6/10

218

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Imágenes190

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Reparto principal18

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Alan Baxter

Phil Sparr

Virginia Gilmore

Peggy Lake

Richard Kollmar

Martin Beaumont

Loring Smith

Harry Avery

Phillip Huston

Joseph Gibbons

Joey Faye

Roger

Russell Collins

Beck

Michael Wyler

Fredericks

Sid Melton

Stanislaus Kranobowsky - Cabbie

Wendell K. Phillips

Harold
(as Wendell Phillips)

Erin Selwyn

Bessie, Receptionist
(as Erin O'Kelly)

Jimmy Sheridan

Jimmy
(as James Sheridan)

Marcia Walter

Rita

Dort Clark

Detective
(sin acreditar)

Kenne Duncan

Detective
(sin acreditar)

Lauren Gilbert

Miller
(sin acreditar)

Johnny Kane

Drunk
(sin acreditar)

Maurice Manson

Inspector Lonigan
(sin acreditar)

Argumento

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¿Sabías que...?

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Curiosidades
Eagle-Lion's Manhattan-based New York headquarters serves as headquarters for Argus Newsreel.

Citas
Harry Avery: [Looking at Beaumont in a Nazi newsreel] Look at that guy.
[Now shows Beaumont from footage of Phil's camera]
Harry Avery: Take a look at this.
Phil Sparr: That's my shot from this morning.
Harry Avery: See any resemblance?
Phil Sparr: The same guy!
Harry Avery: Exactly. And that Nazi is Kurt Fowler, known as "The Butcher."
Phil Sparr: Fowler? He was reported killed in the bombing of Berlin. He's listed as dead.
Harry Avery: That's right. And your camera brought him back to life. That's what I call a great scoop!

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Comentarios

Reseña destacada

9/10

It's not a very good idea to film a wanted Nazi coming out of a bank.

I love this film. It's so full of surprising turnings and brilliant innovations that you actually must enjoy being taken for a ride. The story in itself is ingenious, by accident an ordinary news reel camera man gets someone like Martin Bormann into the picture, and naturally those Nazis having just come out of the bank after some major transactions want to get hold of that film as a matter of life and death.. What follows is a tumultuous roller-coaster of a hunt for the negative, which involves no end to confuisons, and naturally there is a double-crossing dame involved also, and the poor journalist in all his innocence has every reason to get mad. Fortunately he has a cheerful assistant who always manages to keep him happy after all.

There are some striking shots on the way that Hitchcock would have enjoyed, and of course some major close-ups. This is one of those films that in all their confusing up and down turnings leaving you more bewildered than the hero. you must look forward to seeing it some time again.