Aquellos duros años

Título original: The Rawhide Years

1956
Approved
1h 25min

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Tony Curtis, Arthur Kennedy, and Colleen Miller in Aquellos duros años (1956)

El deshonesto jugador de barco fluvial Ben Matthews es culpado de un asesinato que no ha cometido y debe encontrar al verdadero asesino antes de que una turba de linchamiento lo encuentre.El deshonesto jugador de barco fluvial Ben Matthews es culpado de un asesinato que no ha cometido y debe encontrar al verdadero asesino antes de que una turba de linchamiento lo encuentre.El deshonesto jugador de barco fluvial Ben Matthews es culpado de un asesinato que no ha cometido y debe encontrar al verdadero asesino antes de que una turba de linchamiento lo encuentre.

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6,1/10

870

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Curiosidades
Final theatrical film of William Gargan.

Pifias
Several of Zoe's costumes have zippers up the back.

Citas
Carrico: Isn't it customary to give a man chance to get even?
Matt Comfort: Why, I wouldn't know. I'm not familiar with the niceties of the game.
Carrico: I figured You for a man of high ideals. Seems I was wrong.
Matt Comfort: You did? I figured You for a bad loser. I was right.

Conexiones
Referenced in The Kiss (1958)

Banda sonora
The Gypsy with the Fire in His Shoes
Words by Peggy Lee
Music by Laurindo Almeida
Performed with dancers by Colleen Miller (uncredited)

Reseñas de usuarios17

Reseña destacada

8/10

Excellent 1950s western...much more than a routine oater

One thing that bothers me about typical reviews of Hollywood westerns is that every modest picture with horses, six-guns and saloons gets thrown into the same 'just another western' sack. If it's not The Big Country, or High Noon, or Rio Bravo, or a John Ford classic, then it's usually 'just another routine oater'.

Of course, way too many westerns are cliché ridden and flat. But there are scores of really good ones. Westerns that not only hold your interest, but also make you marvel at what a difference a good director, a good cast and a good script can make.

The Rawhide Years is one such picture. Expertly directed by Rudolph Maté and flawlessly filmed by Irving Glassberg, this movie has an exciting story, a terrific cast and carefully distilled themes of betrayal, friendship, courage and redemption.

It's on a par with the best westerns of Anthony Mann or Budd Boetticher. I've seen it many times, and it never disappoints. Very highly recommended, even for viewers who don't usually cater to oats.