Barreras de orgullo

Título original: The Bottom of the Bottle

1956
Approved
1h 28min

PUNTUACIÓN EN IMDb

TU PUNTUACIÓN

Joseph Cotten, Van Johnson, and Ruth Roman in Barreras de orgullo (1956)

En la ciudad fronteriza de Nogales, Arizona, un acaudalado abogado y ganadero es solicitado por su hermano, un convicto fugado, para que le ayude a cruzar la frontera con México, donde su es... Leer todoEn la ciudad fronteriza de Nogales, Arizona, un acaudalado abogado y ganadero es solicitado por su hermano, un convicto fugado, para que le ayude a cruzar la frontera con México, donde su esposa e hijos viven en la pobreza.En la ciudad fronteriza de Nogales, Arizona, un acaudalado abogado y ganadero es solicitado por su hermano, un convicto fugado, para que le ayude a cruzar la frontera con México, donde su esposa e hijos viven en la pobreza.

Ver la información de la producción en IMDbPro

PUNTUACIÓN EN IMDb

6,5/10

347

TU PUNTUACIÓN

Ver la información de la producción en IMDbPro

Imágenes5

Más del estilo

Argumento

Editar

¿Sabías que...?

Editar

Curiosidades
The chimes on the doorbell to Joseph Cotten (Pat Martin)'s house play "How Dry I Am". Quite fitting considering Van Johnson (Donald)'s drinking problem and the "lushy" household guests that tempt him.

Pifias
The three children speak on the phone excitedly and happily to their father, as if they have a close relationship. But he has been in prison for five years, and the children look under eight.

Citas
Donald Martin: Don't let that beer worry you. I've become a soft-drink man.

Banda sonora
Serenade in Blue
(uncredited)
Music by Harry Warren
Played at the gathering during the rainstorm

Reseñas de usuarios17

Comentarios

Reseña destacada

7/10

Excellent study of characters and strong messages of forgiveness

A wonderful body of work. Saw it many years ago on AMC, but has not been shown since. I continue to look with the hopes that any video company would discover this gem and make it available.

Great display of location shooting and the work of the entire cast represent them at their finest.

Van Johnson has never been better, and Joseph Cotten holds on admirably to generate the contrast between the brothers. Ruth Roman,a stalwart of the profession, should have a festival somewhere dedicated to her work. I would definitely attend. I highly recommend one and all to search for this film, and I am happy that there are others who feel the way I do about this body of work.