PUNTUACIÓN EN IMDb
6,4/10
1,7 mil
TU PUNTUACIÓN
Después de que el veterano criminal Roy Earle es liberado de la prisión, decide hacer un último atraco antes de retirarse junto a dos novatos y una bailarina.Después de que el veterano criminal Roy Earle es liberado de la prisión, decide hacer un último atraco antes de retirarse junto a dos novatos y una bailarina.Después de que el veterano criminal Roy Earle es liberado de la prisión, decide hacer un último atraco antes de retirarse junto a dos novatos y una bailarina.
Pedro Gonzalez Gonzalez
- Chico
- (as Gonzalez Gonzalez)
Lon Chaney Jr.
- Big Mac
- (as Lon Chaney)
Nick Adams
- Bellboy
- (sin acreditar)
Chris Alcaide
- Sheriff's Deputy
- (sin acreditar)
Fay Baker
- Woman in Tropico Lobby
- (sin acreditar)
Argumento
¿Sabías que...?
- PifiasNear the end, when the cops are chasing Roy Earle in their cars and motorcycles to the mountains, the following mistakes can be seen:
- As the two motorbike cops approach a bridge, before crossing, one of them comes off his bike, parts of the bike can be seen flying, as indeed does the cop.
- In the next shot, they all are chasing Earle's car as if nothing happened.
- Later, as they approach a slippery bend, a cop again comes off his motorcycle, blocking the chase. Seconds later they are all seen still chasing the villain.
- Créditos adicionalesOddly, the credits read "Written by W.R. Burnett," implying it's an original script, rather than the correct "Screenplay by W.R. Burnett, based on his novel 'High Sierra.'" Apparently Warner Bros. was trying to pretend it wasn't a remake.
- ConexionesFeatured in Hollywood Remembers Lee Marvin (2000)
Reseña destacada
I Died a Thousand Times is directed by Stuart Heisler and adapted to screenplay by W.R. Burnett from his own novel High Sierrra. It stars Jack Palance, Shelley Winters, Lori Nelson, Lee Marvin, Pedro Gonzalez Gonzalez, Lon Chaney Junior and Earl Holliman. A CinemaScope/Warnercolor production, cinematography is by Ted McCord and music by David Buttolph.
It will always be debatable if remaking the excellent High Sierra (Raoul Walsh 1941) was needed or wanted by a 1950s audience? Especially since Walsh had himself already remade it as a great Western with 1949 film Colorado Territory, but taken on its own terms, with great production value and Burnett's personal adaptation taken into consideration, it's a very enjoyable film.
Set up is simple, it's one last heist for Roy "Mad Dog" Earle (Palance) before going straight, but as his attempts to break free from his emotional loner status fall apart, so does the heist and his future is written in blood right up there in the mountains. Heisler and Burnett put Earle up front for character inspection, easing in sympathetic tones whilst ensuring he remains a big physical threat. The air of fatalism is pungent enough and the finale is excitingly staged by Heisler. Cast performances are more than adequate if not comparing to the likes of Bogart and Lupino, while the Warnercolor is gorgeous and the photography around the Alabama Hills in Lone Pine is superb.
While not in the same league as High Sierra or Colorado Territory, that doesn't mean this is a wash out, more so if you haven't seen either of the Walsh movies. If you have, like me (High Sierra is one of my favourite Bogart performances), then comparisons and a feeling of deja vu will obviously infiltrate your viewing experience. That said, there is more than enough here to make it worth your time regardless of comparison and familiarities. 7/10
It will always be debatable if remaking the excellent High Sierra (Raoul Walsh 1941) was needed or wanted by a 1950s audience? Especially since Walsh had himself already remade it as a great Western with 1949 film Colorado Territory, but taken on its own terms, with great production value and Burnett's personal adaptation taken into consideration, it's a very enjoyable film.
Set up is simple, it's one last heist for Roy "Mad Dog" Earle (Palance) before going straight, but as his attempts to break free from his emotional loner status fall apart, so does the heist and his future is written in blood right up there in the mountains. Heisler and Burnett put Earle up front for character inspection, easing in sympathetic tones whilst ensuring he remains a big physical threat. The air of fatalism is pungent enough and the finale is excitingly staged by Heisler. Cast performances are more than adequate if not comparing to the likes of Bogart and Lupino, while the Warnercolor is gorgeous and the photography around the Alabama Hills in Lone Pine is superb.
While not in the same league as High Sierra or Colorado Territory, that doesn't mean this is a wash out, more so if you haven't seen either of the Walsh movies. If you have, like me (High Sierra is one of my favourite Bogart performances), then comparisons and a feeling of deja vu will obviously infiltrate your viewing experience. That said, there is more than enough here to make it worth your time regardless of comparison and familiarities. 7/10
- hitchcockthelegend
- 14 jul 2013
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- How long is I Died a Thousand Times?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- País de origen
- Idioma
- Títulos en diferentes países
- I Died a Thousand Times
- Localizaciones del rodaje
- Empresa productora
- Ver más compañías en los créditos en IMDbPro
- Duración1 hora 49 minutos
- Color
- Relación de aspecto
- 2.55 : 1
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By what name was He muerto miles de veces (1955) officially released in India in English?
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