Un exluchador, convertido en estibador de Nueva Jersey, lucha por enfrentarse a sus corruptos jefes sindicales, incluido su hermano mayor, mientras empieza a conectar con la afligida hermana... Leer todoUn exluchador, convertido en estibador de Nueva Jersey, lucha por enfrentarse a sus corruptos jefes sindicales, incluido su hermano mayor, mientras empieza a conectar con la afligida hermana de una de las víctimas del sindicato.Un exluchador, convertido en estibador de Nueva Jersey, lucha por enfrentarse a sus corruptos jefes sindicales, incluido su hermano mayor, mientras empieza a conectar con la afligida hermana de una de las víctimas del sindicato.
- Ganó 8 premios Óscar
- 30 premios y 10 nominaciones en total
- 'Pop' Doyle
- (as John Hamilton)
- Gillette
- (sin acreditar)
- Sidney
- (sin acreditar)
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Argumento
¿Sabías que...?
- CuriosidadesIn his biography of Elia Kazan, Richard Schickel describes how Kazan used a ploy to entice Marlon Brando to do the movie. He had Karl Malden direct a scene from the film with an up-and-coming fellow actor from the Actors Studio playing the Terry Malloy lead role. They figured the competitive Brando would not be eager to see such a major role handed to some new screen heartthrob. The ploy worked, especially since the competition had come in the form of a guy named Paul Newman.
- PifiasWhen Father Barry (Karl Malden) gets hit in the head with a beer can, he gets a cut on his forehead, which bleeds visibly in the scene. In subsequent scenes, there is no sign of the cut or of a bandage to show that he had been hurt.
- Citas
Charley Malloy: Look, kid, I... how much you weigh, son? When you weighed one hundred and sixty-eight pounds you were beautiful. You coulda been another Billy Conn, and that skunk we got you for a manager, he brought you along too fast.
Terry Malloy: It wasn't him, Charley, it was you. Remember that night in the Garden you came down to my dressing room and you said, "Kid, this ain't your night. We're going for the price on Wilson." You remember that? "This ain't your night"! My night! I coulda taken Wilson apart! So what happens? He gets the title shot outdoors on the ballpark and what do I get? A one-way ticket to Palookaville! You was my brother, Charley, you shoulda looked out for me a little bit. You shoulda taken care of me just a little bit so I wouldn't have to take them dives for the short-end money.
Charley Malloy: Oh I had some bets down for you. You saw some money.
Terry Malloy: You don't understand. I coulda had class. I coulda been a contender. I coulda been somebody, instead of a bum, which is what I am, let's face it. It was you, Charley.
- Créditos adicionalesOpening credits are shown over a bamboo-type mat background.
- Versiones alternativasCriterion Collection Blu-ray Disc release exhibits the film in 1.66:1, which is widely regarded to be the "correct" aspect ratio for the film. However, a second disc includes the film in 1.33:1 AND 1.85:1, so that viewers can watch the film in the different ratios.
- ConexionesEdited into Un Américain nommé Kazan (2018)
This is an interesting and thought-provoking film with attractive plot by screenwriter Budd Schulberg , containing intense drama with pungent lines , emotion , wonderful performances , memorable climax , magnificent direction and classic musical score by maestro Leonard Berstein . For this brooding film and highy charged throughout story writer Budd Schulberg took the idea from newspapers , as he started with an expose series written for The New York Sun by reporter Malcolm Johnson , the articles won him a Pulitzer Prize and were reinforced by the 1948 murder of a New York dock hiring boss which woke America to the killings , graft and extortion that were endemic on the New York waterfront . Marvelous acting by entire casting . Marlon Brando is perfect as stevedore who faces the thorny dilemma of whether or not to become himself into an unfortunate informer . The taxicab scene , one of the most known scenes in the cinema, in which Brando began to improvise some dialogue , while surprising Rod Steiger listened and Kazan simply stood back and let the two actors direct themselves . Along with first-rate main cast : Brando , Steiger , Eva Maria Saint , appearing here and there great secondaries giving nice interpretations , such as : Lee J. Cobb , Leif Erickson , Michel V. Gazzo, Pat Henning , James Westerfield , Martin Balsam , Pat Hingle , Nehemiah Persoff, among others . Being film debuts of Michael V. Gazzo, Pat Hingle, Martin Balsam, and Eva Marie Saint . The leading characters were based on real people: Terry Malloy was based on longshoreman and whistle-blower Anthony De Vincenzo ; Father Barry was based on waterfront priest John M. Corridan ; Johnny Friendly was based on mobster Albert Anastasia. On the Waterfront is widely known to be an act of expiation on the part of Elia Kazan for naming names to the House Committee on Un-American Activities (HUAC) during the Joseph McCarthy witch-hunts of the 1950s.
This trend-setting film has a gritty portrait of N. Y. waterfront and stand up well nowadays and resulted to be a huge financial hit , it is a winner all the way , as from a budget of just under $1 million, the film went on to gross ten times its production costs in its initial release. And winning eight Academy Awards , including : Best Picture , Direction (Elia Kazan) , Actor (Marlon Brando), special mention for Eva Maria Saint who gave a debut performance that won her the Best Supporting Actress Academy Award, Cinematography (cameraman Boris Kaufman) , Art Director (Richard Day) . The motion picturre was compellingly directed by Elia Kazan , and it seems to be a direct response to Miller's play The Crucible. In fact , Kazan intended it as a direct attack at his former close friend Arthur Miller who had been openly critical of Elia's actions . Rating : Very good , above average , and a real must see . Well worth watching .
- ma-cortes
- 3 may 2012
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Detalles
- Fecha de lanzamiento
- País de origen
- Idiomas
- Títulos en diferentes países
- La llei del silenci
- Localizaciones del rodaje
- Empresa productora
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Presupuesto
- 910.000 US$ (estimación)
- Recaudación en todo el mundo
- 3768 US$
- Duración1 hora 48 minutos
- Color
- Relación de aspecto
- 1.66 : 1
- 1.85 : 1