Añade un argumento en tu idiomaA love triangle of two sisters, both passionately desiring the same man.A love triangle of two sisters, both passionately desiring the same man.A love triangle of two sisters, both passionately desiring the same man.
- Premios
- 1 premio en total
Lauri Korpela
- Brauner
- (sin acreditar)
Laina Laine
- Housekeeper
- (sin acreditar)
Nora Mäkinen
- Prostitute
- (sin acreditar)
Lida Salin
- Bar hostess
- (sin acreditar)
Emma Väänänen
- Mother in consulting room
- (sin acreditar)
Elli Ylimaa
- Aunt
- (sin acreditar)
Argumento
¿Sabías que...?
- ConexionesEdited into Fedja (2012)
- Banda sonoraA-molli-valssi
Composed by Frédéric Chopin
Reseña destacada
Certainly not the best Tulio Film, here he teams up again with writer Nisse Hirn and actress Regina Linnanheimo. The set-up is fairly conventional melodrama. Two sisters both fall for a handsome doctor and when the doctor marries the older sister, the younger one, heart-broken, leaves the country. After some dramatic twists, the younger sister returns home and the main characters find themselves in an agonizing love triangle.
The dialog, even by Tulio/Hirn standards, is laughably stiff and pompous for the first 20-30 minutes. After that it settles into something a bit less over-the-top, but don't get it confused, this is melodrama through and through. And as the drama tightens, Linnanheimo's acting chops are truly put to the test; and viewers do well to remind themselves that this is melodrama, not real life.
Tulio's visual touch is here, with the accustomed close-ups and inventive editing. What makes this truly interesting, however, is the moral ambiguity. For 1946, there are a number of questionable elements here that would have had Hollywood censors reaching for their heart medicine in utter shock.
The dialog, even by Tulio/Hirn standards, is laughably stiff and pompous for the first 20-30 minutes. After that it settles into something a bit less over-the-top, but don't get it confused, this is melodrama through and through. And as the drama tightens, Linnanheimo's acting chops are truly put to the test; and viewers do well to remind themselves that this is melodrama, not real life.
Tulio's visual touch is here, with the accustomed close-ups and inventive editing. What makes this truly interesting, however, is the moral ambiguity. For 1946, there are a number of questionable elements here that would have had Hollywood censors reaching for their heart medicine in utter shock.
- ccscd212
- 20 jul 2008
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Detalles
- Duración1 hora 31 minutos
- Color
- Relación de aspecto
- 1.37 : 1
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Principal laguna de datos
By what name was Levoton veri (1946) officially released in Canada in English?
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