Añade un argumento en tu idiomaBlackie helps the police rescue hostage from an escaped maniac on a killing spree.Blackie helps the police rescue hostage from an escaped maniac on a killing spree.Blackie helps the police rescue hostage from an escaped maniac on a killing spree.
Richard Alexander
- 1st Bruiser
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Bing Conley
- 2nd Bruiser
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Lew Davis
- Man in Ticket Line
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Joe Devlin
- Cab Driver Steve Caveroni
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Eddie Hall
- Man Asking About Irene
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Harry Hayden
- Arthur Manleder
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Marilyn Johnson
- Chambermaid
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Charles Jordan
- 3rd Reporter
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Tom Kennedy
- Doorman
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Perc Launders
- 2nd Reporter
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Bob Meredith
- Man in Line
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Argumento
¿Sabías que...?
- CuriosidadesThe ninth of 14 "Boston Blackie" films starring Chester Morris released by Columbia Pictures from 1941 to 1949.
- PifiasWhen Boston Blackie is found near the murder scene , he is arrested. The cab driver who brought the real killer and the victim there and can prove that Blackie is innocent is parked nearby yet Blackie forgets all about him. He is never mentioned again.
- Citas
Boston Blackie: What time did they leave?
Martha: What do I look like, a sundial?
Boston Blackie: Not in this light.
- ConexionesFollowed by A Close Call for Boston Blackie (1946)
Reseña destacada
Boston Blackie's friend Arthur needs help: his insane nephew Jimmy has escaped from the asylum and who knows what he may do! Agreeing to help track down Jimmy, Blackie is soon mixed up in—yes, a murder, and yes, Blackie's old friendly nemesis Inspector Farraday is right there to pin the crime on Blackie.
Steve Cochran is appropriately creepy as the lunatic, and through many uncomfortable moments he peeks around corners and lurks in hallways while other characters obliviously look in the wrong places and for the wrong person. Even Blackie misses him narrowly a couple of times while we in the audience want to shout out at him—"Hey! Blackie! No, not there, he's going out the back!"
It's a tense mystery; for one thing, the gratuitous and random nature of the two murders make for a less "comfortable" viewing experience than a more typical who-done-it where you may not know the killer's identity but you do know that he or she has a "logical" reason for killing and therefore a more exclusive hit list. Of course, there's comic relief here and there, but the humor this time around frequently falls flat—the Runt's scaredy-cat antics, for example, come across as mostly idiotic rather than hilarious or even pleasantly silly.
Nina Foch is good in a role where she spends most of her time on screen trying to size up whether she's talking to a friend or a stalker. Chester Morris and Richard Lane are steady as always as Blackie and Farraday.
Still plenty of charm and confidence provided by Morris, and so Blackie fans like me won't want to miss this one; but I have to say it's not the series' finest hour.
Steve Cochran is appropriately creepy as the lunatic, and through many uncomfortable moments he peeks around corners and lurks in hallways while other characters obliviously look in the wrong places and for the wrong person. Even Blackie misses him narrowly a couple of times while we in the audience want to shout out at him—"Hey! Blackie! No, not there, he's going out the back!"
It's a tense mystery; for one thing, the gratuitous and random nature of the two murders make for a less "comfortable" viewing experience than a more typical who-done-it where you may not know the killer's identity but you do know that he or she has a "logical" reason for killing and therefore a more exclusive hit list. Of course, there's comic relief here and there, but the humor this time around frequently falls flat—the Runt's scaredy-cat antics, for example, come across as mostly idiotic rather than hilarious or even pleasantly silly.
Nina Foch is good in a role where she spends most of her time on screen trying to size up whether she's talking to a friend or a stalker. Chester Morris and Richard Lane are steady as always as Blackie and Farraday.
Still plenty of charm and confidence provided by Morris, and so Blackie fans like me won't want to miss this one; but I have to say it's not the series' finest hour.
- csteidler
- 21 sept 2011
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Detalles
- Fecha de lanzamiento
- País de origen
- Idioma
- Títulos en diferentes países
- Blackie's Rendezvous
- Localizaciones del rodaje
- 313 W. 8th St., Los Ángeles, California, Estados Unidos(Blackie's cab speeds past the old Olympic theatre in downtown L.A.)
- Empresa productora
- Ver más compañías en los créditos en IMDbPro
- Duración1 hora 4 minutos
- Color
- Relación de aspecto
- 1.37 : 1
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Principal laguna de datos
By what name was Boston Blackie's Rendezvous (1945) officially released in Canada in English?
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