El ministerio del miedo

Título original: Ministry of Fear

1944
Approved
1h 26min

PUNTUACIÓN EN IMDb

7,1/10

9,2 mil

TU PUNTUACIÓN

Ray Milland, Hillary Brooke, and Marjorie Reynolds in El ministerio del miedo (1944)

Stephen Neale has just been released from an asylum during World War II in England when he accidentally stumbles onto a deadly Nazi spy plot, and tries to stop it.

Reproducir trailer1:57

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45 imágenes

Film Noir Crime Drama Mystery Thriller

Stephen Neale acaba de ser liberado de un asilo durante la Segunda Guerra Mundial en Inglaterra cuando se topa por accidente con un plan de espionaje nazi mortal y trata de detenerlo.Stephen Neale acaba de ser liberado de un asilo durante la Segunda Guerra Mundial en Inglaterra cuando se topa por accidente con un plan de espionaje nazi mortal y trata de detenerlo.Stephen Neale acaba de ser liberado de un asilo durante la Segunda Guerra Mundial en Inglaterra cuando se topa por accidente con un plan de espionaje nazi mortal y trata de detenerlo.

Ver la información de la producción en IMDbPro

PUNTUACIÓN EN IMDb

7,1/10

9,2 mil

TU PUNTUACIÓN

Ver la información de la producción en IMDbPro

Air Raid Warden
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Evelyn Beresford

Fat Lady at Charity Bazaar
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Arthur Blake

Man
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Matthew Boulton

Official, Ministry of Home Security
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George Broughton

Man in Tailor's Shop
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Leonard Carey

Porter
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Bruce Carruthers

Police Clerk
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Argumento

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Curiosidades
Director Fritz Lang was disappointed in "Ministry of Fear" because the producer and screenwriter, Seton I. Miller, were the same person, and Miller the producer wouldn't let Lang rewrite his script, which Lang said "had practically none of the quality of the Graham Greene book."

Pifias
When Neale gets off the train he leaves everything he has on board, including his hat. When he arrives at Rennit's office though, he has a hat.

Citas
Willi Hilfe: We thought you'd been killed.
Stephen Neale: Not quite.

Conexiones
Featured in Pulp Cinema (2001)

Reseñas de usuarios88

Comentarios

Reseña destacada

7/10

Solid film noir

Although the script may have been a little uneven (and I have no idea how it relates to the book by Graham Greene), but for a couple of hours on a Saturday morning this was some good noir fun. Hints of Hitchcock lent a creepiness to the atmosphere. Things were also somewhat unpredictable, which is important for any mystery. Nicely done.