Heavenly Music

PUNTUACIÓN EN IMDb

TU PUNTUACIÓN

Añade un argumento en tu idiomaA bandleader must prove he is worthy of entry into the the Hall of Music in heaven.A bandleader must prove he is worthy of entry into the the Hall of Music in heaven.A bandleader must prove he is worthy of entry into the the Hall of Music in heaven.

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PUNTUACIÓN EN IMDb

6,2/10

342

TU PUNTUACIÓN

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Ganó 1 premio Óscar
- 1 premio en total

Imágenes8

+ 2

Reparto principal11

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Frederick Brady

Ted Barry
(as Fred Brady)

Mary Elliott

Eric Blore

Mr. Frisbie - Public Relations

Steven Geray

Ludwig van Beethoven

Fritz Feld

Niccolò Paganini
(sin acreditar)

Halliwell Hobbes

Franz Liszt
(sin acreditar)

Elmer Jerome

Official Recorder
(sin acreditar)

Eric Mayne

Johannes Brahms
(sin acreditar)

Lionel Royce

Pyotr Tchaikovsky
(sin acreditar)

Billie 'Buckwheat' Thomas

Gabriel
(sin acreditar)

William Yetter Sr.

Richard Wagner
(sin acreditar)

Argumento

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Curiosidades
Tchaikovsky scolds Ted for having used one of his melodies and then says to the Official Recorder to let him "know when that Freddy Martin checks in here (Heaven)". Freddy Martin's biggest hit was "Tonight We Love" in 1941, which heavily borrowed from Tchaikovsky's Piano Concerto Number 1 in B-flat Minor. It was such a big hit that Martin began to incorporate melodies from the classics in follow-up songs.

Citas
Ted Barry: Do you have any boyfriends up here? Or, could we step outside some night and cut up a cloud?
Joy: Oh, no. I couldn't do that. You see, I'm an angel.

Conexiones
Version of Noche embrujada (1939)

Banda sonora
Heavenly Music
Written by Sam Coslow
Sung by Frederick Brady

Reseñas de usuarios13

Comentarios

Reseña destacada

6/10

fine MGM short

Bandleader Ted Barry (Frederick Brady) arrives at the Heavenly Gates. He's interviewed by gate keeper Mr. Frisbie from Public Relations, but he seems uninformed about Barry. He's brought inside by angel Joy to the Hall of Music where he must prove his worth before the icons of the past.

It's an MGM short that actually won an Oscar. I do have an issue with the premise. The entry test has nothing to do with morality, but it's all about the value of his music. That seems to go against western moral values. Otherwise, this is fine. The music is fine. I like the little section where Barry points out music being copied from previous icons. It's fine.