PUNTUACIÓN EN IMDb
6,4/10
3,4 mil
TU PUNTUACIÓN
Al comienzo de la Segunda Guerra Mundial, una mujer se da cuenta de que donde quiera que vaya su esposo, los nazis parecen seguirlo. Mientras tanto, un encantador reportero los sigue.Al comienzo de la Segunda Guerra Mundial, una mujer se da cuenta de que donde quiera que vaya su esposo, los nazis parecen seguirlo. Mientras tanto, un encantador reportero los sigue.Al comienzo de la Segunda Guerra Mundial, una mujer se da cuenta de que donde quiera que vaya su esposo, los nazis parecen seguirlo. Mientras tanto, un encantador reportero los sigue.
- Nominado para 1 premio Óscar
- 1 nominación en total
Fred Aldrich
- German Storm Trooper
- (sin acreditar)
Frank Alten
- Official Saying 'Spontaneity'
- (sin acreditar)
Felix Basch
- Herr Kelman
- (sin acreditar)
Brandon Beach
- Civilian
- (sin acreditar)
Walter Bonn
- German Officer
- (sin acreditar)
Ace Bragunier
- Pilot
- (sin acreditar)
Walter Byron
- Guard
- (sin acreditar)
Gordon B. Clarke
- German Officer
- (sin acreditar)
Hans Conried
- Vienna Tailor's Fitter
- (sin acreditar)
Argumento
¿Sabías que...?
- Curiosidades(at around 22 mins) Cary Grant tells Ginger Rogers that he will always remember her character "just the way you look tonight", evoking a smirk from Rogers. The line alludes to the song of the same title that Fred Astaire sang to Rogers in En alas de la danza (1936).
- PifiasFamous footage of Adolf Hitler visiting Paris is shown. Following this, many scenes (and many days) occur before the Baron is called in to see Hitler, yet it is well-recorded that Hitler's visit to the city lasted only 3 hours.
- Citas
Patrick O'Toole: [ending his coerced radio speech] You can tell it to the Army. And you can tell it to the Navy. And most of all, you can tell it to the Marines!
- Créditos adicionalesOpening credits prologue: VIENNA 1938
- ConexionesFeatured in Hollywood the Golden Years: The RKO Story: Dark Victory (1987)
- Banda sonoraWiener Blut, Op. 354 (Viennese Blood)
(1873) (uncredited)
Written by Johann Strauss
Played during Vienna 1938 and occasionally in the score
Reseña destacada
American burlesque dancer Ginger Rogers jumps at the opportunity to marry a wealthy Austrian baron (Walter Slezak). Little does she know her new husband is a Nazi. Enter radio news correspondent Cary Grant, who falls for Ginger while trying to do a story on her husband. He follows the pair all over Europe. When she's forced to face just who her husband is and what is really going on in the world, Ginger decides to flee with Cary.
A wartime romantic comedy directed by Leo McCarey with two of my favorite stars, Cary Grant and Ginger Rogers. Sounds amazing. Unfortunately it isn't without flaws. But first, some of the good. Cary is charming as ever and has great chemistry with Ginger. Love the measuring scene. For her part, she's pretty and fun. I'm not sure why she was using that terrible accent early on. Her husband knew she was an American so I don't understand who she was supposed to be fooling. I guess she was supposed to be putting on airs, like some kind of society lady or something. It's pretty weird and never addressed. Walter Slezak makes for a fine villain, as he usually did. Albert Bassermann is great in a brief role.
The scenes with Cary and Ginger are what works most in the film, particularly in the first hour. On the downside, when the film awkwardly switches to drama it undoes whatever momentum it has built up. I'm not offended, like other reviewers are, over the use of Nazis and anti-Semitism in a (mostly) light comedy. It was all within context and treated appropriately. However, I do think the movie becomes less interesting and certainly less fun in the second hour as it becomes darker. The fact that it goes on so long is what does it the most harm, though. As it is, it's a flawed film but still worth a peek for fans of Grant and Rogers.
A wartime romantic comedy directed by Leo McCarey with two of my favorite stars, Cary Grant and Ginger Rogers. Sounds amazing. Unfortunately it isn't without flaws. But first, some of the good. Cary is charming as ever and has great chemistry with Ginger. Love the measuring scene. For her part, she's pretty and fun. I'm not sure why she was using that terrible accent early on. Her husband knew she was an American so I don't understand who she was supposed to be fooling. I guess she was supposed to be putting on airs, like some kind of society lady or something. It's pretty weird and never addressed. Walter Slezak makes for a fine villain, as he usually did. Albert Bassermann is great in a brief role.
The scenes with Cary and Ginger are what works most in the film, particularly in the first hour. On the downside, when the film awkwardly switches to drama it undoes whatever momentum it has built up. I'm not offended, like other reviewers are, over the use of Nazis and anti-Semitism in a (mostly) light comedy. It was all within context and treated appropriately. However, I do think the movie becomes less interesting and certainly less fun in the second hour as it becomes darker. The fact that it goes on so long is what does it the most harm, though. As it is, it's a flawed film but still worth a peek for fans of Grant and Rogers.
- utgard14
- 21 dic 2014
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Detalles
Taquilla
- Recaudación en Estados Unidos y Canadá
- 861.100 US$
- Duración1 hora 57 minutos
- Color
- Relación de aspecto
- 1.37 : 1
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By what name was Hubo una luna de miel (1942) officially released in India in English?
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