Una mujer para dos

Título original: Design for Living

1933
Passed
1h 31min

PUNTUACIÓN EN IMDb

7,4/10

8 mil

TU PUNTUACIÓN

Gary Cooper, Miriam Hopkins, and Fredric March in Una mujer para dos (1933)

Reproducir trailer1:43

1 vídeo

66 imágenes

Romantic Comedy Screwball Comedy Comedy Mystery Romance

Una mujer no puede decidir entre dos hombres que la aman, pero todo cambia cuando este trío acepta vivir juntos en una relación amistosa.Una mujer no puede decidir entre dos hombres que la aman, pero todo cambia cuando este trío acepta vivir juntos en una relación amistosa.Una mujer no puede decidir entre dos hombres que la aman, pero todo cambia cuando este trío acepta vivir juntos en una relación amistosa.

Ver la información de la producción en IMDbPro

PUNTUACIÓN EN IMDb

7,4/10

8 mil

TU PUNTUACIÓN

Ver la información de la producción en IMDbPro

Man
(sin acreditar)

Lionel Belmore

Theatre Patron
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Thomas Braidon

Douglas' Second Manager
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Nora Cecil

Tom's Secretary
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Emile Chautard

Train Conductor
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Mathilde Comont

Heavy Woman
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Adrienne D'Ambricourt

Cafe Proprietress
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James Donlan

Fat Man with Ring
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Harry Dunkinson

Mr. Egelbauer
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Estelle Etterre

Woman in audience
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Argumento

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Curiosidades
Considerable censorship difficulties arose because of sexual discussions and innuendos, although the Hays Office eventually approved the film for release. However, the film was banned by the Legion of Decency and was refused a certificate for re-release by censor Joseph Breen in 1934 when the Production Code was more rigorously enforced.

Pifias
Camera shadow visible on window frame as Gilda sets the table.

Citas
Max Plunkett: Immorality may be fun, but it isn't fun enough to take the place of one hundred percent virtue and three square meals a day.

Conexiones
Featured in Mujeres liberadas (2003)

Banda sonora
The Star Spangled Banner
(1814) (uncredited)
Music by John Stafford Smith
Hummed by Gary Cooper and Fredric March

Reseñas de usuarios64

Comentarios

Reseña destacada

8/10

Chic, sexy, and swell

I'm not a big fan of the Lubitsch Touch. This, which I hadn't seen in 20 years, I think is my favorite.

The recent Broadway revival of the Noel Coward play, which was supposedly very ooh-la-la and daring, was a bust. Interminable and misguided.

One problem was that the female lead was made very cold. In the movie, Miriam Hopkins is just right: pretty, seductive, witty.

Gary Cooper is sublime. He was a great comedian -- equally good in "Desire," the delightful movie with Dietrich that Lubitsch produced and supposedly had a big hand in directing. Too bad he changed gears so drastically and became the strong, silent Western hero he's known for today (if he's known at all, alas.)

Fredric March was a very fine actor but not a comedian. He is the weakest link; but he works well in the ensemble.

Edward Everett Horton is funny, as always.

It really works, and is as racy today as it must have been when it came out.